| year of publication | ISBN | author(s) | title |
|---|
| 2007 | 978-1-905674-01-5 | Michele Aaron | Spectatorship: The Power of Looking On (Short Cuts) |
| '' | 978-1-905674-02-2 | Tamar Jeffers McDonald | Romantic Comedy: Boy Meets Girl Meets Genre (Short Cuts) |
| 2006 | 978-1-905674-03-9 | Stephen Keane | Disaster Movies: The Cinema of Catastrophe (Short Cuts) |
| 2007 | 978-1-905674-06-0 | Jacob Leigh · Susan Smith | Close-up 02 - Movies and Tone / Reading Rohmer / Voices in Film |
| '' | 978-1-905674-08-4 | Whitney Dilley | The Cinema of Ang Lee: The Other Side of the Screen (Directors' Cuts) |
| '' | 978-1-905674-09-1 | '' | The Cinema of Ang Lee: The Other Side of the Screen (Directors' Cuts) |
| '' | 978-1-905674-10-7 | Gönül Dönmez-colin · Abbas Kiarostami | The Cinema of North Africa and the Middle East (24 Frames) |
| 2007 | 978-1-905674-11-4 | Gönül Dönmez-colin · Abbas Kiarostami | The Cinema of North Africa and the Middle East (24 Frames) |
| '' | 978-1-905674-12-1 | Naomi Greene | The French New Wave - A New Look (Short Cuts) |
| '' | 978-1-905674-13-8 | Kirstin Thompson | Crime Films: Investigating the Scene (Short Cuts) (Short Cuts (Wallflower)) |
| '' | 978-1-905674-14-5 | Carolyn Jess-cooke | Shakespeare on Film: Such Things as Dreams are Made of (Short Cuts) (Short Cuts (Wallflower)) |
| '' | 978-1-905674-15-2 | Dave Saunders | Direct Cinema: Observational Documentary and the Politics of the Sixties (Nonfictions) |
| 2007 | 978-1-905674-16-9 | Dave Saunders | Direct Cinema - Observational Documentary and the Politics of the Sixties (Nonfictions) |
| '' | 978-1-905674-17-6 | Brad Prager | The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth (Directors' Cuts) |
| '' | 978-1-905674-19-0 | Frances Guerin · Roger Hallas | The Image and the Witness: Trauma, Memory and Visual Culture (Nonfictions) |
| '' | 978-1-905674-21-3 | Duncan Reekie | Subversion: The Definitive History of Underground Cinema |
| '' | 978-1-905674-25-1 | Hannah Patterson | The Cinema of Terrence Malick: Poetic Visions of America (Directors' Cuts) |
| 2007 | 978-1-905674-26-8 | Hannah Patterson | The Cinema of Terrence Malick 2e: Poetic Visions of America (Directors' Cuts) |
| '' | 978-1-905674-30-5 | Julian Stringer | Blazing Passions - Contemporary Hong Kong Cinema |
| 2008 | 978-1-905674-31-2 | Andrew Webber | Cities In Transition: The Moving Image and the Modern Metropolis |
| '' | 978-1-905674-33-6 | Maaret Koskinen · Liv Ullman | Ingmar Bergman Revisited: Performance, Cinema and the Arts |
| '' | 978-1-905674-34-3 | Maaret Koskinen · Liv Ullman | Ingmar Bergman Revisited - Performance, Cinema, and the Arts: New Perspectives on Artistic Inermediality |
| '' | 978-1-905674-35-0 | Libby Saxton | Haunted Images: Film, Ethics, Testimony and the Holocaust |
| 2008 | 978-1-905674-36-7 | Libby Saxton | Haunted Images - Film, Ethics, Testimony, and the Holocaust |
| '' | 978-1-905674-37-4 | Timothy Boon | Films of Fact: A History of Science Documentary on Film and Television |
| '' | 978-1-905674-43-5 | Caroline Bainbridge | The Cinema of Lars Von Trier: Authenticity and Artifice (Directors' Cuts) |
| '' | 978-1-905674-45-9 | Peter Hames | The Cinema of Jan Svankmajer: Dark Alchemy (Directors' Cuts) |
| '' | 978-1-905674-47-3 | Joram Ten Brink | Building Bridges: The Cinema of Jean Rouch (Nonfictions) |
| 2007 | 978-1-905674-49-7 | Ethan De Seife | This Is "Spinal Tap" (Cultographies) |
| 2007 | 978-1-905674-50-3 | Jeffrey Weinstock | The "Rocky Horror Picture Show" (Cultographies) |
| '' | 978-1-905674-51-0 | Geoff King | Donnie Darko (Cultographies) |
| 2008 | 978-1-905674-53-4 | Dan North | Performing Illusions |
| '' | 978-1-905674-59-6 | Michael Chopra-gant | Cinema and History (Short Cuts (Wallflower)) |
| '' | 978-1-905674-60-2 | Ian Roberts | German Expressionist Cinema: The World of Light and Shadow (Short Cuts) |
| '' | 978-1-905674-61-9 | Ian Smith | TCM International Film Guide 2008: The Definitive Annual Review of World Cinema |
| 2008 | 978-1-905674-62-6 | Mark Cousines | Widescreen: Watching Real People Elsewhere |
| '' | 978-1-905674-65-7 | Ernest Mathijs | The Cinema of David Cronenberg: From Baron to Blood to Cultural Hero (Directors' Cuts) |
| '' | 978-1-905674-66-4 | Ernest Mathijs | The Cinema of David Cronenberg: From Baron to Blood to Cultural Hero (Directors' Cuts) |
| 2009 | 978-1-905674-67-1 | Sophie Mayer | The Cinema of Sally Potter: A Poetics of Love (Directors' Cuts) |
| '' | 978-1-905674-69-5 | Brent Plate | Religion and Film: Cinema and the Re-creation of the World (Short Cuts) |
| 2008 | 978-1-905674-70-1 | Daniel Shaw | Film and Philosophy: Taking Movies Seriously (Short Cuts) |
| '' | 978-1-905674-71-8 | James Leggott | Contemporary British Cinema: From Heritage to Horror (Short Cuts) |
| 2008 | 978-1-905674-72-5 | Keith Beattie | Documentary Display: Re-Viewing Nonfiction Film and Video (Nonfictions) |
| '' | 978-1-905674-74-9 | Rod Stoneman | Chavez - The Revolution Will Not be Televised: A Case Study of Politics and the Media (Nonfictions) |
| '' | 978-1-905674-75-6 | Mette Hjort | Dekalog 01: On the Five Obstructions |
| 2009 | 978-1-905674-76-3 | Paul St George | Sequences: Contemporary Chronophotography and Experimental Digital Art (Imagetime) |
| 2008 | 978-1-905674-79-4 | Mark Cousines | Widescreen - Watching Real People Elsewhere |
| 2009 | 978-1-905674-81-7 | Steven Maras | Screenwriting: History, Theory and Practice |
| '' | 978-1-905674-83-1 | Scott Balcerzak · Jason Sperb | Cinephilia in the Age of Digital Reproduction: Pt. 1: Film, Pleasure and Digital Culture (Film Studies) |
| '' | 978-1-905674-85-5 | Nick Rombes | Cinema in the Digital Age |
| 2009 | 978-1-905674-88-6 | Glyn Davis | Superstar: The Karen Carpenter Story (Cultographies) |
| 2008 | 978-1-905674-94-7 | Ian Christie | The Art of Film: John Box and Production Design |
| 2009 | 978-1-905674-99-2 | Ian Smith | International Film Guide 2009: The Definitive Annual Review of World Cinema |