| year of publication | ISBN | author(s) | title |
|---|
| 2004 | 978-1-904764-01-4 | Ernest Mathijs · Harry Kümel | The Cinema of the Low Countries (24 Frames) |
| '' | 978-1-904764-02-1 | John Mercer | Melodrama: Genre, Style and Sensibility (Short Cuts) |
| '' | 978-1-904764-03-8 | Janet Mccabe · Terri Murray | Feminist Film Studies: Writing the Woman into Cinema (Short Cuts) |
| 2005 | 978-1-904764-04-5 | Anita Biressi | Reality TV: Realism and Revelation |
| '' | 978-1-904764-06-9 | Leo Enticknap | Moving Image Technology - from Zoetrope to Digital |
| 2004 | 978-1-904764-08-3 | Phil Powrie | The Trouble with Men: Masculinities in European and Hollywood Cinema |
| '' | 978-1-904764-10-6 | Garry Watson | The Cinema of Mike Leigh: A Sense of the Real |
| 2004 | 978-1-904764-11-3 | Justin Bowyer · Jinhee Choi | The Cinema of Japan and Korea (Twenty-Four Frames) |
| '' | 978-1-904764-12-0 | Justin Bowyer · Jinhee Choi | The Cinema of Japan and Korea (24 Frames) |
| '' | 978-1-904764-13-7 | Caroline Hancock | Get Your Film Funded: UK Film Finance Guide 2004 |
| 2005 | 978-1-904764-14-4 | Ian Conrich | The Cinema of John Carpenter: The Technique of Terror |
| '' | 978-1-904764-16-8 | Graeme Harper | Signs of Life: Medicine and Cinema |
| 2009 | 978-1-904764-20-5 | Peter Hames · István Szabó | The Cinema of Central Europe (24 Frames) |
| 2005 | 978-1-904764-22-9 | Tytti Soila · Jacob Neiiendam | The Cinema of Scandinavia |
| '' | 978-1-904764-24-3 | Andrew Klevan | Film Performance- from Achievement to Appreciation (Short Cuts S.) |
| 2005 | 978-1-904764-25-0 | Holly Willis | New Digital Cinema- Reinventing the Moving Image |
| 2004 | 978-1-904764-26-7 | Paul Coates | The Red and the White: The Cinema of people's Poland |
| 2005 | 978-1-904764-27-4 | Paul Coates | The Red and the White - The Cinema of People's Poland |
| 2006 | 978-1-904764-30-4 | Will Brooker | The Blade Runner Experience- The Legacy of A Science Fiction Classic |
| 2005 | 978-1-904764-31-1 | Will Brooker | The Blade Runner Experience- The Legacy of A Science Fiction Classic |
| 2006 | 978-1-904764-32-8 | Stacy Gillis | The "Matrix" Trilogy: Cyberpunk Reloaded |
| 2005 | 978-1-904764-33-5 | Stacy Gillis | The "Matrix" Trilogy: Cyberpunk Reloaded |
| '' | 978-1-904764-37-3 | Susan Smith | The Musical: Race, Gender and Performance (Short Cuts) |
| '' | 978-1-904764-38-0 | Brian McFarlane · Roy Ward Baker | The Cinema of Britain and Ireland (24 Frames) |
| '' | 978-1-904764-40-3 | Milly Williamson | The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy |
| '' | 978-1-904764-42-7 | Peter Hames | The Czechoslovak New Wave |
| 2005 | 978-1-904764-44-1 | Alberto Mira · Román Gubern | The Cinema of Spain and Portugal |
| 2006 | 978-1-904764-46-5 | Phil Powrie · Michel Marie | The Cinema of France (24 Frames) |
| '' | 978-1-904764-48-9 | Mark Shiel | Italian Neorealism- Rebuilding the Cinematic City |
| '' | 978-1-904764-49-6 | Rob Mcinnes · Timothy Shary | Teen Movies- American Youth on Screen |
| '' | 978-1-904764-50-2 | Mark Bould | Film Noir: From Berlin to Sin City (Short Cuts (Wallflower)) |
| 2005 | 978-1-904764-51-9 | Toby Haggith | Holocaust and the Moving Image |
| '' | 978-1-904764-52-6 | Toby Haggith | The Holocaust and the Moving Image |
| 2006 | 978-1-904764-54-0 | Guy Westwell | War Cinema: Hollywood on the Front Line (Short Cuts) |
| 2006 | 978-1-904764-55-7 | John Orr | Hitchcock and 20th Century Cinema |
| 2005 | 978-1-904764-57-1 | John Gibbs · Deborah Thomas · Ian Garwood · Douglas Pye | Close-Up 01 - Filmmakers' Choices / The Pop Song in Film / Reading Buffy |
| 2006 | 978-1-904764-58-8 | Peter Krämer | The New Hollywood: From Bonnie and Clyde to Star Wars (Short Cuts (Wallflower)) |
| '' | 978-1-904764-59-5 | Paul Ward | Documentary- the Margins of Reality |
| '' | 978-1-904764-60-1 | Jerry White · Atom Egoyan | The Cinema of Canada (24 Frames) |
| '' | 978-1-904764-62-5 | Stephanie Dennison · Song Hwee Lim | Remapping World Cinema: Identity, Culture and Politics in Film |
| '' | 978-1-904764-64-9 | Ewout Van Der Knaap | Uncovering the Holocaust: The International Reception of Night and Fog |
| 2006 | 978-1-904764-65-6 | Ewout Van Der Knaap | Uncovering the Holocaust - The International Reception of Night and Fog |
| '' | 978-1-904764-67-0 | Ewa Mazierska · Laura Rascaroli | Crossing New Europe: Postmodern Travel and the European Road Movie |
| '' | 978-1-904764-69-4 | Geetha Ramanathan | Feminist Auteurs: Reading Women's Films |
| 2007 | 978-1-904764-71-7 | Lester D. Friedman | Fires Were Started: British Cinema and Thatcherism |
| 2006 | 978-1-904764-73-1 | Tanya Krzywinska | Sex and the Cinema |
| '' | 978-1-904764-75-5 | John Orr | The Cinema of Roman Polanski: Dark Spaces of the World (Directors' Cuts) |
| 2007 | 978-1-904764-77-9 | James Morrison | The Cinema of Todd Haynes: All That Heaven Allows (Directors' Cuts) |
| '' | 978-1-904764-79-3 | Barry Keith Grant | Film Genre: From Iconography to Ideology (Short Cuts) |
| 2006 | 978-1-904764-80-9 | Dina Iordanova | The Cinema of the Balkans (24 Frames) |
| 2006 | 978-1-904764-82-3 | Ernest Mathijs | "Lord of the Rings": Popular Culture in Global Context |
| '' | 978-1-904764-84-7 | Daniel Frampton | Filmosophy |
| '' | 978-1-904764-86-1 | Graeme Harper · Rob Stone | The Unsilvered Screen: Surrealism on Film |
| 2007 | 978-1-904764-88-5 | Nigel Morris | The Cinema of Steven Spielberg: Empire of Light (Directors' Cuts) |
| '' | 978-1-904764-92-2 | Tamara Falicov | The Cinematic Tango: Contemporary Argentine Film |
| '' | 978-1-904764-94-6 | Terri Ginsberg | Holocaust Film: The Political Aesthetics of Ideology |
| 2007 | 978-1-904764-95-3 | Terri Ginsberg | Holocaust Film: The Political Aesthetics of Ideology |
| '' | 978-1-904764-96-0 | Geoff Mayer | The Cinema of Australia and New Zealand (24 Frames) |
| '' | 978-1-904764-98-4 | Birgit Beumers · Sergei Bodrov | The Cinema of Russia and The Former Soviet Union (24 Frames) |