year of publication | ISBN | author(s) | title |
1999 | 978-1-57647-004-6 | Rollin Smith · Louis Vierne | Louis Vierne: Organist of Notre Dame Cathedral (The Complete Organ Series Vol 3) |
2000 | 978-1-57647-006-0 | Franz Liszt · Agnes Street-Klindworth | Franz Liszt and Agnes Street-Klindworth: A Correspondence (1854-1886) (FRANZ LISZT STUDIES SERIES) (English, French and French Edition) |
2002 | 978-1-57647-009-1 | Mimi S. Daitz | Ancient Song Recovered: The Life and Music of Veljo Tormis (Dimension & Diversity Series) |
1998 | 978-1-57647-013-8 | Siglind Bruhn | The Temptation of Paul Hindemith: Mathis Der Maler As a Spiritual Testimony |
1999 | 978-1-57647-015-2 | David Boccagna | Musical Terminology: A Practical Compendium in Four Languages (English, French, German and Italian Edition) |
2002 | 978-1-57647-016-9 | Mary Dibbern · Carol Kimball · Patrick Choukroun | The Songs of Jacques Leguerney: A Guide for Study and Performance |
'' | 978-1-57647-019-0 | John White · Jean Christensen · Kimmo Kornhonen | New Music of the Nordic Countries (Ex) |
2001 | 978-1-57647-022-0 | Patricia M. Ranum | The Harmonic Orator: A Guide to the Phrasing and Rhetoric of the Melody in French Baroque Airs (Pendragon Press Musicological Series) |
2002 | 978-1-57647-024-4 | Karl Koening | Jazz in Print, 1859-1929: An Anthology of Early Source Readings in Jazz History |
2001 | 978-1-57647-026-8 | Carl B. Schmidt | Entrancing Muse: A Documented Biography of Francis Poulenc (Lives in Music Series) |
2002 | 978-1-57647-028-2 | Edward H. Tarr | East Meets West: The Russian Trumpet Tradition from the Time of Peter the Great to the October Revolution, with a Lexicon of Trumpeters Active in ... The Historical Brass Society Series, 4) |
2000 | 978-1-57647-029-9 | Albert Fuller | Hugues Cuenod: With an Agile Voice (Lives in Music Series) |
2001 | 978-1-57647-032-9 | Mary Dibbern | Carmen: A Performance Guide (Vox Music Ae Series, 4) |
2002 | 978-1-57647-033-6 | Mary Dibbern · David J Drucker · Jacques Offenbach | Tales of Hoffman: A Performance Guide (Vox Music Ae Series, 5) (English, French and French Edition) |
2000 | 978-1-57647-036-7 | Siglind Bruhn | Musical Ekphrasis: Composers Responding to Poetry and Painting (Interplay (Hillsdale, N.Y.), No. 2.) |
'' | 978-1-57647-070-1 | College Music Society | Reflections on American Music: The Twentieth Century and the New Millennium: A Collection of Essays Presented in Honor of the College Music Society ... and Bibliographies in American Music, No. 16) |
2002 | 978-1-57647-072-5 | Michael J. Budds | Jazz and the Germans: Essays on the Influence of "Hot" American Idioms on 20th Century German Music (Monographs and Bibliographies in American Music, No. 17) |
2001 | 978-1-57647-074-9 | Heinrich Schenker | Free Composition |
'' | 978-1-57647-075-6 | Heinrich Schenker | Free Composition (Distinguished reprints series, No. 2) |
2002 | 978-1-57647-076-3 | Rollin Smith | Toward an Authentic Interpretation of the Organ Works of Cesar Franck (The Complete Organ, 6) |
2003 | 978-1-57647-077-0 | James Murdoch | Peggy Glanville-Hicks: A Transposed Life (Lives in Music Series) |
1992 | 978-1-57647-079-4 | Iannis Xenakis | Formalized Music: Thought and Mathematics in Composition (Harmonologia Series) |
2002 | 978-1-57647-089-3 | Siglind Bruhn | Voicing the Ineffable: Musical Representation of Religious Experience (Interplay (Hillsdale, N.Y.), No. 3.) |
'' | 978-1-57647-091-6 | Paul-Andru Bempechat | Liber Amicorum Isabelle Cazeaux: Symbols, Parallels and Discoveries in Her Honor (Festschrift Series) |
2007 | 978-1-57647-094-7 | Kurt Sven Markstrom | Operas of Leonardo Vinci, Napoletano (Opera Series) |
2003 | 978-1-57647-096-1 | Siglind Bruhn | Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage (Dimension & Diversity) |
2003 | 978-1-57647-100-5 | John H. Baron | Intimate Music: A History of the Idea of Chamber Music (Pendragon Press Musicological Series) |
2005 | 978-1-57647-102-9 | Christina Huemer | Remembering Oliver Strunk: Teacher and Scholar (Festschrift Series) |
'' | 978-1-57647-106-7 | Keith Polk | Tielman Susato And The Music Of His Time: Print Culture, Compositional Technique And Instrumental Music In The Renaissance (BUCINA,) |
2008 | 978-1-57647-107-4 | Sharon Kanach | Music and Architecture (Iannis Xenakis) |
2006 | 978-1-57647-109-8 | Gabriel Banat | The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow |
'' | 978-1-57647-112-8 | David GagnÚ · Poundie Burstein | Structure And Meaning in Tonal Music: A Festschrift for Carl Schachter (HARMONOLOGIA) |
2005 | 978-1-57647-114-2 | Luigi Russolo | The Art of Noises (Monographs in Musicology) |
'' | 978-1-57647-117-3 | Siglind Bruhn | The Musical Order of the World: Kepler, Hesse, Hindemith (Interplay) |
2008 | 978-1-57647-119-7 | James M. Burk | Charles Ives Omnibus (Monographs & Bibliographies in American Music, No. 18) |
2007 | 978-1-57647-120-3 | Gene Henry Anderson | Original Hot Five Recordings of Louis Armstrong (CMS SOURCEBOOKS IN AMERICAN MUSIC) |
'' | 978-1-57647-125-8 | Victoria Adamenko | Neo-Mythologism in Music: From Scriabin And Schoenberg to Schnittke And Crumb (Interplay: Music in Interdisciplinary Dialogue) |
2007 | 978-1-57647-129-6 | Siglind Bruhn | Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s (Dimension & Diversity: Studies in 20th Century Music) |
2009 | 978-1-57647-134-0 | Edmund A. Bowles | Timpani Supplement I: More Pictures and Documents (Pendragon Press Musicological) |
2008 | 978-1-57647-135-7 | Marc Ponthus | Elliott Carter: A Centennial Celebration (Festschrift Series) |
'' | 978-1-57647-136-4 | Siglind Bruhn | Messiaen's Explorations of Love and Death: Musico-poetic Signification in the Tristan Trilogy and Three Related Song Cycles (Dimension and Diversity: Studies in 20th-century Music) |
'' | 978-1-57647-137-1 | Christian Ahrens · Steve Plank | Valved Brass: The History of an Invention (Bucina: the Historic Brass Society Series No. 7) (Printed Case Cover) |
'' | 978-1-57647-139-5 | Siglind Bruhn | Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera (Dimension and Diversity: Studies in 20th-century Music) |
'' | 978-1-57647-140-1 | '' | Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis (Interplay: Music in Interdisciplinary Dialogue) |
2010 | 978-1-57647-143-2 | Michael Burden · Jennifer Thorp | Ballet de la Nuit (Dance & Music Series) |
2008 | 978-1-57647-157-9 | David Russell Williams · C. Matthew Balensuela | Music Theory from Boethius to Zarlino: A Bibliography and Guide (HARMONOLOGIA) |
2009 | 978-1-57647-158-6 | Larry Sitsky | Busoni and the Piano: The Works, the Writings, and the Recordings (Distinguished Reprints, No. 3) |
2010 | 978-1-57647-162-3 | James R. Briscoe | Vitalizing Music History Teaching: Monographs & Bibliographies in American Music |
2009 | 978-1-57647-175-3 | Carl Parrish | The Notation of Medieval Music (Distinguished Reprints) |
2009 | 978-1-57647-177-7 | Rollin Smith | Playing the Organ Works of Cesar Franck (The Complete Organ No. 1) |
'' | 978-1-57647-179-1 | '' | Louis Vierne (Paperback): Organist of Notre Dame Cathedral (The Complete Organ) |
2010 | 978-1-57647-185-2 | Erik Stenstadvold | Guitar Methods, 1760-1860: An Annotated Bibliography (Organologia: Musical Instruments and Performance Practice) |
'' | 978-1-57647-191-3 | Sharon Kanach | Performing Xenakis (The Iannis Xenakis Series) |
2018 | 978-1-57647-204-0 | William Cowdery · Catherine Sprague | Mozart's Salzburg Years (1756-1781): Insights and Images |
2013 | 978-1-57647-210-1 | Frank Daykin | The Encyclopedia of French Art Song: Faure, Debussy, Ravel, Poulenc (Vox Musicae: The Voice, Vocal Pedagogy, and Song) |
2016 | 978-1-57647-220-0 | Hervú Olúon · Mary Dibbern | Massenet: Catalogue General Des Oeuvres / General Catalogue of Works (Annotated Reference Tools in Music) (English and French Edition) |
2019 | 978-1-57647-237-8 | Stephen Slottow | The Worlds of Harpsichord and Organ: Liber Amicorum David Fuller (Festschrift Series) (Festschirift) |
2014 | 978-1-57647-240-8 | Kenneth W. Bozeman | Practical Vocal Acoustics: Pedagogic Applications for Teachers and Singers. (Vox Musicae: the Voice, Vocal Pedagogy, and Song) |
2016 | 978-1-57647-242-2 | Lisa Scoggin | The Music of Animaniacs: Postmodern Nostalgia in a Cartoon World (Music and Media) |
2018 | 978-1-57647-278-1 | Richard E. Mueller | Beauty and Innovation in La Machine Chinoise: Falla, Debussy, Ravel, Roussel (Dimension and Diversity: Studies in 20th-century Music) |
2017 | 978-1-57647-302-3 | Lenka Krupková | Czech Music Around 1900 (Studies in Czech Music) |
2018 | 978-1-57647-312-2 | Mark Kroll | The Boston School of Harpsichord Building: Reminiscences of William Dowd, Eric Herz and Frank Hubbard by the People Who Knew and Worked with Them (Historical Harpsichord) |
2019 | 978-1-57647-315-3 | Siglind Bruhn | Debussy's Vocal Music and Its Poetic Evocations (Dimension and Diversity) (Dimension & Diversity: Studies in 20th-Century Music) |
2018 | 978-1-57647-316-0 | Giovanni Pacini | Giovanni Pacini: My Artistic Memoirs (Lives in Music) |