| year of publication | ISBN | author(s) | title |
|---|
| 2016 | 978-1-4744-0004-6 | Anne Whitehead · Angela Woods | The Edinburgh Companion to the Critical Medical Humanities (Edinburgh Companions to Literature) |
| 978-1-4744-0006-0 | Fragments of a Unified Nation: Spatial Narratives in Contemporary Chinese Cinema (Edinburgh Studies in East Asian Film) |
| 2015 | 978-1-4744-0008-4 | Stephen Teo | Chinese Martial Arts Cinema: The Wuxia Tradition (Traditions in World Cinema) |
| 2017 | 978-1-4744-0010-7 | Julian Daniel Gutierrez-Albilla | Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodovar |
| 2015 | 978-1-4744-0014-5 | Benjamin Isakhan · Stephen Stockwell | The Edinburgh Companion to the History of Democracy: From Pre-history to Future Possibilities |
| '' | 978-1-4744-0025-1 | Andrew Teverson · Alexandra Warwick · Leigh Wilson | The Edinburgh Critical Edition of the Selected Writings of Andrew Lang: v.1 & 2 |
| 2017 | 978-1-4744-0029-9 | Khododad Rezakhani | ReOrienting the Sasanians: East Iran in Late Antiquity (Edinburgh Studies in Ancient Persia) |
| 2014 | 978-1-4744-0042-8 | Shohini Chaudhuri | Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship |
| 2017 | 978-1-4744-0047-3 | Santiago Fouz-Hernández | Spanish Erotic Cinema |
| 2018 | 978-1-4744-0065-7 | Paul Delaney | The Edinburgh Companion to the Short Story in English (Edinburgh Companions to Literature and the Humanities) |
| 2017 | 978-1-4744-0101-2 | Eberhard W. Sauer | Sasanian Persia: Between Rome and the Steppes of Eurasia (Edinburgh Studies in Ancient Persia) |
| 2016 | 978-1-4744-0112-8 | Margaret Malloch · Paul Rigby | Human Trafficking: The Complexities of Exploitation |
| 2017 | 978-1-4744-0118-0 | Andrew Fagan | Human Rights and Cultural Diversity: Core Issues and Cases (Textbooks in Global Justice and Human Rights) |
| '' | 978-1-4744-0131-9 | Michael Patrick Cullinane · Alex Goodall | The Open Door Era: United States Foreign Policy in the Twentieth Century (British Association for American Studies (BAAS) Paperbacks) |
| 2016 | 978-1-4744-0134-0 | Barbara Hardy | Ivy Compton-Burnett (Midcentury Modern Writers) (Midcentury Modern Writers Eup) |
| 2017 | 978-1-4744-0146-3 | Julie C. Manning · Elisabeth Kendall | Intelligence Arabic (Essential Middle Eastern Vocabularies) (Essential Middle Eastern Vocabularies Eup) |
| 2018 | 978-1-4744-0155-5 | Randall Stevenson | Reading the Times: Temporality and History in Twentieth-Century Fiction |
| 2016 | 978-1-4744-0161-6 | Joel Faflak · Jason Haslam | American Gothic Culture: An Edinburgh Companion (Edinburgh Companions to the Gothic) (Edinburgh Companions to the Gothic Eup) |
| 2017 | 978-1-4744-0163-0 | Ann-Marie Einhaus · Katherine Isobel Baxter | Edinburgh Companion to the First World War and the Arts (Edinburgh Companion to Literature) (Edinburgh Companions to Literature) |
| '' | 978-1-4744-0211-8 | James Cooper | The Politics of Diplomacy: The Politics of Diplomacy U.S. Presidents and the Northern Ireland Conflict, 1967-1998 (Edinburgh Studies in Anglo-American Relations) |
| '' | 978-1-4744-0213-2 | Adam Burns | American Imperialism: The Territorial Expansion of the United States, 1783-2013 (BAAS Paperbacks) |
| 2017 | 978-1-4744-0214-9 | Adam Burns | American Imperialism: The Territorial Expansion of the United States 1783-2013 (British Association for American Studies (BAAS) Paperbacks) |
| 2016 | 978-1-4744-0217-0 | Oliver P. Richmond · Sandra Pogodda | Post-Liberal Peace Transitions: Between Peace Formation and State Formation |
| '' | 978-1-4744-0221-7 | Ian Aitken | The Major Realist Film Theorists: A Critical Anthology |
| '' | 978-1-4744-0227-9 | Jonathan N Lipman | Islamic Thought in China: Sino-Muslim Intellectual Evolution from the 17th to the 21st Century |
| 2018 | 978-1-4744-0244-6 | Robert Leach | Russian Futurist Theatre: Theory and Practice (Edinburgh Critical Studies in Modernism, Drama and Performance) |
| '' | 978-1-4744-0248-4 | Williams Keith | James Joyce and Cinematicity: Before and After Film |
| 2016 | 978-1-4744-0253-8 | Anne Sauvagnargues · Suzanne Verderber · Eugene W. Holland | Artmachines: Deleuze, Guattari, Simondon |
| 2015 | 978-1-4744-0275-0 | Michele Aaron | Death and the Moving Image: Ideology, Iconography and I |
| '' | 978-1-4744-0277-4 | Jeffrey Geiger · Karin Littau | Cinematicity in Media History |
| 2015 | 978-1-4744-0278-1 | Ian Garwood | The Sense of Film Narration (Edinburgh Studies in Film and Internediality) |
| '' | 978-1-4744-0284-2 | Andrew B. R. Elliot | The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century |
| 2018 | 978-1-4744-0288-0 | Edna Lim | Celluloid Singapore: Cinema, Performance and the National (Traditions in World Cinema) |
| 2016 | 978-1-4744-0290-3 | Aaron Kerner · Jonathan Knapp | Extreme Cinema: Affective Strategies in Transnational Media |
| '' | 978-1-4744-0294-1 | Leslie Eckel · Clare Elliott | The Edinburgh Companion to Atlantic Literary Studies (Edinburgh Companions to Literature) |
| '' | 978-1-4744-0299-6 | Ann Davies | Contemporary Spanish Gothic |
| '' | 978-1-4744-0301-6 | Matthew Carter · Andrew Patrick Nelson | Refocus: The Films of Delmer Daves (Refocus) (Refocus Eup) |
| 2016 | 978-1-4744-0311-5 | Elisabeth Kendall · Ahmad Khan | Reclaiming Islamic Tradition: Modern Interpretations of the Classical Heritage |
| 2019 | 978-1-4744-0323-8 | Todd Johnson · Gina Zurlo | World Christian Encyclopedia: Third Edition |
| 2016 | 978-1-4744-0325-2 | Olaf Bril · Gary D. Rhodes | Expressionism in the Cinema (Traditions in World Cinema) (Traditions in World Cinema Eup) |
| 2015 | 978-1-4744-0327-6 | Kristin Lene Hole | Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas and Jean-Luc Nancy |
| 2016 | 978-1-4744-0335-1 | Tarek Elhaik | The Incurable-Image: Curating Post-Mexican Film and Media Arts (Edinburgh Studies in Film and Intermediality) |
| '' | 978-1-4744-0337-5 | Stephen Monteiro | Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon (Edinburgh Studies in Film and Intermediality) (Edinburgh Studies in Film and Intermediality Eup) |
| 2015 | 978-1-4744-0339-9 | Kenneth McK. Norrie | Scottish Family Law: A Clear and Concise Introductory Guide for Students of Family Law in Scotland (Scottish Law Essentials) |
| 2018 | 978-1-4744-0357-3 | Maurizio Cinquegrani | Journey to Poland: Documentary Landscapes of the Holocaust |
| 2015 | 978-1-4744-0386-3 | Professor Stephen Teo | Chinese Martial Arts Cinema: The Wuxia Tradition (Traditions in World Cinema Eup) |
| 2016 | 978-1-4744-0392-4 | Linda Badley · Claire Perkins · Michele Schreiber | Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema (Traditions in American Cinema) |
| '' | 978-1-4744-0394-8 | Linda Badley · Claire Perkins · Michele Schreiber | Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema (Traditions in American Cinema) |
| 2019 | 978-1-4744-0410-5 | Caroline Blinder | The American Photo-Text, 1930-1960 (BAAS Paperbacks) |
| '' | 978-1-4744-0412-9 | '' | The American Photo-Text, 1930-1960 (BAAS Paperbacks) |
| 2017 | 978-1-4744-0431-0 | Sabrina Qiong Yu · Guy Austin | Revisiting Star Studies: Cultures, Themes and Methods |
| 2016 | 978-1-4744-0514-0 | Ewa Mazierska · Matilda Mroz · Elzbieta Ostrowska | The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure |
| 2019 | 978-1-4744-0521-8 | Vyvyan Evans | Cognitive Linguistics: An Introduction |
| '' | 978-1-4744-0522-5 | Vyvyan Evans | Cognitive Linguistics: A Complete Guide |
| 2016 | 978-1-4744-0532-4 | Mark Paterson | Seeing with the Hands: Blindness, Vision and Touch After Descartes |
| 2016 | 978-1-4744-0539-3 | Yasir Suleiman | Being Palestinian: Personal Reflections on Palestinian Identity in the Diaspora |
| 978-1-4744-0545-4 | Struggles for Freedom: Afghanistan and Us Foreign Policy Since 1979 |
| 978-1-4744-0546-1 | Struggles for Freedom: Afghanistan and Us Foreign Policy Since 1979 |
| 2018 | 978-1-4744-0552-2 | William Hughes | Key Concepts in the Gothic (Key Concepts in Literature) |
| '' | 978-1-4744-0553-9 | William Hughes | Key Concepts in the Gothic (Key Concepts in Literature) |
| 2015 | 978-1-4744-0556-0 | Michele Schreiber | American Postfeminist Cinema: Women, Romance and Contemporary Culture (Traditions in American Cinema) |
| '' | 978-1-4744-0557-7 | Flannery Wilson | New Taiwanese Cinema in Focus: Moving Within and Beyond the Frame (Traditions in World Cinema) |
| '' | 978-1-4744-0558-4 | Mark Bernard | Selling the Splat Pack: The DVD Revolution and the American Horror Film |
| '' | 978-1-4744-0559-1 | Ian Aitken · Michael Ingham | Hong Kong Documentary Film |
| 2017 | 978-1-4744-0563-8 | Melanie Williams | Female Stars of British Cinema: The Women in Question (Scottish Religious Cultures) |
| 2017 | 978-1-4744-0564-5 | Melanie Williams | Female Stars of British Cinema: The Women in Question |
| '' | 978-1-4744-0586-7 | Daniel Whistler | The Edinburgh Critical History of Nineteenth-Century Christian Theology (Edinburgh Studies in Classical Arabic Literature) |
| '' | 978-1-4744-0587-4 | Daniel Whistler | The Edinburgh Critical History of Nineteenth-Century Christian Theology (Edinburgh Studies in Classical Arabic Literature) |
| '' | 978-1-4744-0588-1 | '' | The Edinburgh Critical History of Nineteenth-Century Christian Theology (Edinburgh Studies in Classical Arabic Literature) |
| '' | 978-1-4744-0589-8 | Lin Feng | Chow Yun-Fat and Territories of Hong Kong Stardom |
| 2018 | 978-1-4744-0652-9 | Nizar F. Hermes · Gretchen Head | The City in Arabic Literature: Classical and Modern Perspectives |
| 2015 | 978-1-4744-0655-0 | Jeff Jaeckle · Sarah Kozloff | ReFocus: The Films of Preston Sturges (ReFocus: The American Director Series) (Refocus Eup) |
| 2018 | 978-1-4744-0669-7 | Stephen Benson · Will Montgomery | Writing the Field Recording: Sound, Word, Environment |
| 2016 | 978-1-4744-0672-7 | Miklos Kiss · Steven Willemsen | Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema |
| 2016 | 978-1-4744-0689-5 | Heidi Wilkins | Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema |
| 2019 | 978-1-4744-0695-6 | Johnathan Buckmaster | Dickens'S Clowns: Charles Dickens, Joseph Grimaldi and the Pantomime of Life (Edinburgh Critical Studies in Victorian Culture) |
| 2016 | 978-1-4744-0701-4 | Thomas K Robb | Jimmy Carter and the Anglo-American 'Special Relationship' (Edinburgh Studies in Anglo-American Relations) |
| 2017 | 978-1-4744-0712-0 | Martine Beugnet · Allan Cameron · Arild Fetveit | Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Companions to Literature) |
| '' | 978-1-4744-0714-4 | Martine Beugnet · Arild Fetveit · Allan Cameron | Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Studies in Film) (Edinburgh Studies in Film and Intermediality) |
| 2018 | 978-1-4744-0716-8 | Eleonora Sasso | The Pre-Raphaelites and Orientalism: Language and Cognition in Remediations of the East (Edinburgh Critical Studies in Victorian Culture) |
| 2016 | 978-1-4744-0720-5 | Ian Aitken · Camille Deprez | The Colonial Documentary Film in South and South-East Asia |
| '' | 978-1-4744-0758-8 | Hélène Frichot · Catharina Gabrielsson · Jonathan Metzger | Deleuze and the City (Deleuze Connections) (Deleuze Connections Eup) |
| '' | 978-1-4744-0759-5 | Helen Frichot · Catharina Gabrielsson · Jonathan Metzger | Deleuze and the City (Deleuze Connections) (Deleuze Connections Eup) |
| '' | 978-1-4744-0764-9 | Vlad Strukov | Contemporary Russian Cinema: Symbols of a New Era |
| 2016 | 978-1-4744-0767-0 | David Deamer | Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images |
| '' | 978-1-4744-0768-7 | David Deamer | Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images |
| 2017 | 978-1-4744-0777-9 | James Chalmers | Scottish Evidence Law Essentials (Edinburgh Law Essentials) |
| '' | 978-1-4744-0778-6 | James Chalmers | Scottish Evidence Law Essentials (Edinburgh Law Essentials) |
| 2016 | 978-1-4744-0794-6 | Jon Solomon | Ben-Hur: The Original Blockbuster (Screening Antiquity Eup) |
| '' | 978-1-4744-0795-3 | Jon Solomon | Ben-Hur: The Original Blockbuster (Screening Antiquity) (Screening Antiquity Eup) |
| 2017 | 978-1-4744-0819-6 | Carol Margaret Davison · Monica Germanà | Scottish Gothic: An Edinburgh Companion (Edinburgh Companions to the Gothic) |
| 2016 | 978-1-4744-0873-8 | Simon Gunn · Lucy Faire | Research Methods for History (Research Methods for the Arts and Humanities) |
| '' | 978-1-4744-0888-2 | Khairudin Aljunied | Muslim Cosmopolitanisms: Southeast Asian Islam in Comparative Perspective |
| 2017 | 978-1-4744-0891-2 | Josephine M. Guy | The Edinburgh Companion to Fin De Siecle Literature, Culture and the Arts (Edinburgh Companions to Literature) |
| 2016 | 978-1-4744-0900-1 | David Church | Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom |
| 2015 | 978-1-4744-0901-8 | Scott Mackenzie · Anna Westerstahl Stenport | Films on Ice: Cinemas of the Arctic (Traditions in World Cinema) |
| 2018 | 978-1-4744-0925-4 | Calum Waddell | The Style of Sleaze: The American Exploitation Film, 1959-1977 (Traditions in American Cinema) |
| 2019 | 978-1-4744-0929-2 | Thomas Deane Tucker | The Peripatetic Frame: Images of Walking in Cinema |
| 2017 | 978-1-4744-0939-1 | Victoria L. Evans | Douglas Sirk, Aesthetic Modernism and the Culture of Modernity |
| 2016 | 978-1-4744-0960-5 | Gabriele Griffin · Matt Hayler | Research Methods for Reading Digital Data in the Digital Humanities (Research Methods for the Arts and Humanities Eup) |
| 2016 | 978-1-4744-0961-2 | Gabriele Griffin · Matt Hayler | Research Methods for Reading Digital Data in the Digital Humanities (Research Methods for the Arts and Humanities) (Research Methods for the Arts and Humanities Eup) |
| '' | 978-1-4744-0964-3 | Matt Hayler · Gabriele Griffin | Research Methods for Digitising and Curating Data in the Digital Humanities (Research Methods for the Arts and Humanities) |
| '' | 978-1-4744-0965-0 | '' | Research Methods for Digitising and Curating Data in the Digital Humanities (Research Methods for the Arts and Humanities) |
| 2018 | 978-1-4744-0969-8 | Irene Gonzalez-Lopez · Michael Smith | Tanaka Kinuyo: Nation, Stardom and Female Subjectivity (Edinburgh Studies in East Asian Film) |
| 2019 | 978-1-4744-0987-2 | Alfano Chiara | Derrida Reads Shakespeare |
| 2016 | 978-1-4744-1019-9 | Omar Khalifah | Nasser in the Egyptian Imaginary (Edinburgh Studies in Modern Arabic Literature) |
| 2015 | 978-1-4744-1031-1 | Alex Danchev | On Good and Evil and the Grey Zone |
| 2016 | 978-1-4744-1042-7 | Pål Kolstø · Helge Blakkisrud | The New Russian Nationalism: Imperialism, Ethnicity and Authoritarianism 2000-2015 |
| '' | 978-1-4744-1059-5 | Nick Hewlett | Blood and Progress: Violence in Pursuit of Emancipation |
| '' | 978-1-4744-1060-1 | Nick Hewlett | Blood and Progress: Violence in Pursuit of Emancipation |
| 2019 | 978-1-4744-1063-2 | Marion Schmid | Intermedial Dialogues: The French New Wave and the Other Arts (Edinburgh Studies in Film and Intermediality) |
| 2016 | 978-1-4744-1078-6 | Tarif Khalidi | An Anthology of Arabic Literature: From the Classical to the Modern |
| 2016 | 978-1-4744-1079-3 | Tarif Khalidi | An Anthology of Arabic Literature: From the Classical to the Modern |
| 2017 | 978-1-4744-1089-2 | Vito Adriaensens · Lisa Colpaert · Steven Jacobs · Susan Felleman | Screening Statues: Sculpture and Cinema (Edinburgh Studies in Film and Intermediality) (The New Soundtrack) |
| 2016 | 978-1-4744-1092-2 | Dale McFadzean · Jean McFadden | Public Law Essentials (Edinburgh Law Essentials) (Edinburgh Law Essentials Eup) |
| 2017 | 978-1-4744-1094-6 | Tessa Dwyer | Speaking in Subtitles: Revaluing Screen Translation |
| 2018 | 978-1-4744-1112-7 | E. Dawn Hall | Refocus: the Films of Kelly Reichardt (ReFocus: The American Directors Series) |
| '' | 978-1-4744-1123-3 | Stephanie Genz · Benjamin Brabon | Postfeminism: Cultural Texts and Theories |
| 2016 | 978-1-4744-1136-3 | Michael Mack | Contaminations: Beyond Dialectics in Modern Literature, Science and Film |
| 2017 | 978-1-4744-1139-4 | Murray Pomerance · Steven Rybin | Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen |
| 2016 | 978-1-4744-1142-4 | Alexander Burry · Frederick White | Border Crossing: Russian Literature into Film |
| 2018 | 978-1-4744-1148-6 | Allison Macleod | Irish Queer Cinema |
| '' | 978-1-4744-1155-4 | Edward Allen | Reading Dylan Thomas |
| 2017 | 978-1-4744-1171-4 | Mohammad Gharipour | Synagogues in the Islamic World: Architecture, Design and Identity |
| 2019 | 978-1-4744-1172-1 | Austin Fisher | Blood in the Streets: Histories of Violence in Italian Crime Cinema |
| '' | 978-1-4744-1181-3 | Lindsay Coleman · David Desser | Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura (Edinburgh Studies in East Asian Film) |
| 2016 | 978-1-4744-1184-4 | Emanuele Castrucci | On the Idea of Potency: Juridical and Theological Roots of the Western Cultural Tradition (Encounters in Law and Philosophy) |
| 2019 | 978-1-4744-1199-8 | Donald Nicolson | Evidence and Proof in Scotland: Context and Critique |
| '' | 978-1-4744-1200-1 | Donald Nicolson | Evidence and Proof in Scotland: Context and Critique |
| 2017 | 978-1-4744-1203-2 | Kenneth R. Ross · J. Kwabena Asamoah-Gyadu · Todd Johnson | Christianity in Sub-Saharan Africa (Edinburgh Companions to Global Christianity) |
| 2017 | 978-1-4744-1253-7 | Catherine Clay · Maria DiCenzo · Barbara Green · Fiona Hackney | Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period (Edinburgh History of Womens Periodical Culture in Britain) |
| 2016 | 978-1-4744-1266-7 | Esther Yau · Tony Williams | Hong Kong Neo-Noir (Edinburgh Studies in East Asian Film) |
| 2017 | 978-1-4744-1278-0 | Eisa Esfanjary | Persian Historic Urban Landscapes: Interpreting and Managing Maibud Over 6000 Years |
| '' | 978-1-4744-1291-9 | Ingrid Piller | Intercultural Communication: A Critical Introduction (second edition) |
| 2018 | 978-1-4744-1294-0 | Homer B. Pettey | Cold War Film Genres (Traditions in American Cinema) |
| 978-1-4744-1303-9 | NEW REALISMS |
| 2016 | 978-1-4744-1306-0 | Terence McSweeney | The 'War on Terror' and American Film: 9/11 Frames Per Second (Traditions in American Cinema) (Traditions in American Cinema Eup) |
| '' | 978-1-4744-1307-7 | Homer B Pettey · R. Barton Palmer | Film Noir (Traditions in American Cinema) (Traditions in World Cinema) |
| '' | 978-1-4744-1308-4 | Homer B Pettey · R. Barton Palmer | International Noir (Traditions in World Cinema) |
| 2017 | 978-1-4744-1309-1 | Frances Smith | Rethinking the Hollywood Teen Movie: Gender, Genre and Identity (Speculative Realism) |
| '' | 978-1-4744-1312-1 | Kevin J. Donnelly · Beth Carroll | Contemporary Musical Film (Music and the Moving Image) |
| 2018 | 978-1-4744-1340-4 | Raymond Taras | Nationhood, Migration and Global Politics: An Introduction |
| 2018 | 978-1-4744-1341-1 | Raymond Taras | Nationhood, Migration and Global Politics: An Introduction |
| 2019 | 978-1-4744-1356-5 | Casie Hermansson | Filming the Children's Book: Adapting Metafiction |
| 2018 | 978-1-4744-1359-6 | Ian Whittington | Writing the Radio War: Literature, Politics and the BBC, 1939-1945 (Edinburgh Critical Studies in War and Culture) |
| 2016 | 978-1-4744-1362-6 | Manuel Delanda | Assemblage Theory (Speculative Realism) |
| '' | 978-1-4744-1363-3 | Manuel Delanda | Assemblage Theory (Speculative Realism) |
| '' | 978-1-4744-1381-7 | Terence McSweeney | American Cinema in the Shadow of 9/11 |
| '' | 978-1-4744-1390-9 | Gregg Lambert | Return Statements: The Return of Religion in Contemporary Philosophy (Incitements) (Incitements Eup) |
| '' | 978-1-4744-1394-7 | Adam Piette · Mark Rawlinson | The Edinburgh Companion to Twentieth-Century British and American War Literature |
| 2016 | 978-1-4744-1459-3 | Eric Jenkins | Special Affects: Cinema, Animation and the Translation of Consumer Culture |
| 2018 | 978-1-4744-1460-9 | Elsa Hogberg · Amy Bromley | Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence |
| 2020 | 978-1-4744-1472-2 | Abdelkader Cheref | An Anthology of Contemporary Arabic Literature: Writing from the Maghreb, the Mashreq and the Khaleej |
| 2017 | 978-1-4744-1476-0 | Peter Duff · Pamela R. Ferguson | Scottish Criminal Evidence Law: Current Developments and Future Trends |
| 978-1-4744-1478-4 | Scottish Criminal Evidence Law: Current Developments and Future Trends |
| 2017 | 978-1-4744-1495-1 | Julian Hanich | The Audience Effect: On the Collective Cinema Experience |
| 2018 | 978-1-4744-1498-2 | Michael Gott · Thibaut Schilt | Cinema-Monde: Decentred Perspectives on Global Filmmaking in French |
| 2017 | 978-1-4744-1504-0 | Marco Cesa | Debating Foreign Policy in the Renaissance: Speeches on War and Peace by Francesco Guicciardini |
| '' | 978-1-4744-1522-4 | Alison Taylor | Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema |
| 2016 | 978-1-4744-1537-8 | Bruce Gilkison | Walking with James Hogg: The Ettrick Shepherd's Journeys Through Scotland |
| 2018 | 978-1-4744-1541-5 | Mary Youssef | Minorities in the Contemporary Egyptian Novel (Edinburgh Studies in Modern Arabic Literature) |
| '' | 978-1-4744-1559-0 | Catherine Riley · Lynne Pearce | Feminism and Women's Writing: An Introduction |
| '' | 978-1-4744-1560-6 | Catherine Riley · Lynne Pearce | Feminism and Women's Writing: An Introduction |
| '' | 978-1-4744-1563-7 | Jane de Gay | Virginia Woolf and Christian Culture |
| 2018 | 978-1-4744-1578-1 | Egdunas Racius | Muslims in Eastern Europe (The New Edinburgh Islamic Surveys) |
| '' | 978-1-4744-1579-8 | Egdunas Racius | Muslims in Eastern Europe (The New Edinburgh Islamic Surveys) |
| '' | 978-1-4744-1623-8 | Nina Engelhardt | Modernism, Fiction and Mathematics (Edinburgh Critical Studies in Modernist Culture) |
| '' | 978-1-4744-1629-0 | Virginia Lee Strain | Legal Reform in English Renaissance Literature (Edinburgh Critical Studies in Renaissance Culture) |
| 2019 | 978-1-4744-1632-0 | Galina Yemelianova | Muslims of Central Asia: An Introduction (The New Edinburgh Islamic Surveys) |
| 2018 | 978-1-4744-1633-7 | Galina Yemelianova | Muslims of Central Asia: An Introduction (The New Edinburgh Islamic Surveys) |
| 2019 | 978-1-4744-1639-9 | Lucy Bolton | Contemporary Cinema and the Philosophy of Iris Murdoch |
| 2017 | 978-1-4744-1656-6 | Christina Hellmich · Lisa Purse | Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post - 9/11 World |
| 2018 | 978-1-4744-1659-7 | Murray Pittock | Enlightenment in a Smart City: Edinburgh's Civic Development, 1660-1750 |
| 2019 | 978-1-4744-1679-5 | Elisa Mandelli | The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (Edinburgh Studies in Film and Intermediality) |
| 2018 | 978-1-4744-1700-6 | Murray Pomerance · Kyle Stevens | Close-Up: Great Cinematic Performances Volume 1: America (International Film Stars) |
| '' | 978-1-4744-1703-7 | '' | Close-Up: Great Cinematic Performances Volume 2: International (International Film Stars) |
| 2017 | 978-1-4744-1716-7 | Urs Matthias Zachmann | Asia after Versailles: Asian Perspectives on the Paris Peace Conference and the Interwar Order, 1919-33 (Edinburgh East Asian Studies) |
| 2018 | 978-1-4744-1733-4 | J.F. Bernard | Shakespearean Melancholy: Philosophy, Form and the Transformation of Comedy (Edinburgh Critical Studies in Shakespeare and Philosophy) |
| 2018 | 978-1-4744-1744-0 | Benjamin Koerber | Conspiracy in Modern Egyptian Literature (Edinburgh Studies in Modern Arabic Literature) |
| 2017 | 978-1-4744-1750-1 | Francis McManus | Delict Essentials (Edinburgh Law Essentials) |
| '' | 978-1-4744-1794-5 | Nikolaj Lübecker · Daniele Rugo | James Benning's Environments: Politics, Ecology, Duration |
| 2020 | 978-1-4744-1806-5 | Stephen Connelly | Leibniz Law and Optimal Liberty: Demand and Domination (Encounters in Law & Philosophy) |
| '' | 978-1-4744-1807-2 | Stephen Connelly | Leibniz Law and Optimal Liberty: Demand and Domination (Encounters in Law & Philosophy) |
| 2018 | 978-1-4744-1810-2 | Anna Estera Mrozewicz | Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas |
| 2019 | 978-1-4744-1813-3 | Scott Hames | Literary Devolution |
| 2018 | 978-1-4744-1818-8 | Catherine Clay | Time and Tide: The Feminist and Cultural Politics of a Modern Magazine |
| '' | 978-1-4744-1821-8 | Patricia Moran | Antonia White and Manic-Depressive Illness |
| 978-1-4744-1829-4 | The Global Commons and International Politics: From Sea to Space |
| 978-1-4744-1830-0 | The Global Commons and International Politics: From Sea to Space |
| 2018 | 978-1-4744-1841-6 | Lynn Turner | The Edinburgh Companion to Animal Studies (Edinburgh Companions to Literature) |
| '' | 978-1-4744-1890-4 | Angelos Koutsourakis | Rethinking Brechtian Film Theory and Cinema |
| 2017 | 978-1-4744-1893-5 | Graham Jones · Ashley Woodward | Acinemas: Lyotard'S Philosophy of Film (New History of Scotland) |
| 2017 | 978-1-4744-1894-2 | Graham Jones · Ashley Woodward | Acinemas: Lyotard's Philosophy of Film |
| '' | 978-1-4744-1903-1 | Gary D. Rhodes · Robert Singer | ReFocus: The Films of Budd Boetticher (ReFocus: The American Director Series) |
| 2019 | 978-1-4744-1922-2 | James Fleury · Bryan Hikari Hartzheim · Stephen Mamber | The Franchise Era: Managing Media in the Digital Economy (Traditions in American Cinema) |