year of publication | ISBN | author(s) | title |
2015 | 978-0-500-09395-5 | Antony Gormley · Mark Holborn | Antony Gormley on Sculpture |
2016 | 978-0-500-09397-9 | Philippe Sers | Kandinsky: The Elements of Art |
'' | 978-0-500-09399-3 | Dominique Baqué | Anselm Kiefer: A Monograph |
'' | 978-0-500-09401-3 | Laurie Wilson | Louise Nevelson: Art is Life |
'' | 978-0-500-09403-7 | Henri-Alexis Baatsch | Hokusai: A Life in Drawing |
'' | 978-0-500-09405-1 | Simon Maidment · Li Bowen | David Hockney: Current |
2017 | 978-0-500-09406-8 | Timothy Clark · Roger Keyes | Hokusai: beyond the Great Wave (British Museum) |
2019 | 978-0-500-09408-2 | Eleanor Nairne | Lee Krasner: Living Colour |
1974 | 978-0-500-11013-3 | Brian Branston | The Lost Gods of England |
1980 | 978-0-500-11017-1 | Peter Lamborn Wilson | Angels |
2015 | 978-0-500-11028-7 | Thich Nhat Hanh | The Way Out is In: The Zen Calligraphy of Thich Nhat Hanh |
1989 | 978-0-500-12037-8 | Adagio for Violin & Piano |
1971 | 978-0-500-13031-5 | Robin Skelton | J.M.Synge and His World (Pictorial Biography S.) |
1971 | 978-0-500-13034-6 | David Daiches | Robert Burns and His World (Pictorial Biography S.) |
1973 | 978-0-500-13045-2 | David Daiches | Robert Louis Stevenson and His World (Pictorial Biography S.) |
1974 | 978-0-500-13047-6 | John Pudney | Brunel and His World (Pictorial Biography S.) |
'' | 978-0-500-13048-3 | Harry T. Moore | Henry James and His World (Pictorial Biography S.) |
1976 | 978-0-500-13057-5 | Brigid Brophy | Beardsley and His World (Pictorial Biography S.) |
1977 | 978-0-500-13059-9 | Frederic Raphael | Somerset Maugham and His World (Pictorial Biography S.) |
'' | 978-0-500-13060-5 | Charles Osborne | Wagner and His World (Pictorial Biography S.) |
1978 | 978-0-500-13062-9 | Anthony Burgess | Ernest Hemingway and His World (Pictorial Biography S.) |
'' | 978-0-500-13064-3 | Ian C. Bradley | William Morris and His World (Pictorial Biography S.) |
1980 | 978-0-500-13068-1 | Claire Tomalin | Shelley and His World (Pictorial Biography S.) |
1981 | 978-0-500-13069-8 | Peter Ackroyd | Ezra Pound and His World (Pictorial Biography S.) |
'' | 978-0-500-13070-4 | Ronald W. Clark | Bertrand Russell and His World (Pictorial Biography S.) |
1963 | 978-0-500-14019-2 | Frederick R. Karl | Contemporary English Novel (Reader's Guides) |
1988 | 978-0-500-14025-3 | Paul O'Prey | Graham Greene (Reader's Guides) |
1990 | 978-0-500-15020-7 | Philip Hobsbaum | Robert Lowell (Reader's Guides) |
1971 | 978-0-500-16015-2 | John Boardman | Greek Gems and Finger Rings (Stan.Library of Ancient & Classical Art) |
1960 | 978-0-500-18006-8 | Philip Hendy | National Gallery, London (Great Galleries S.) |
1970 | 978-0-500-18105-8 | Roland Penrose | Joan Miro (World of Art S.) |
1959 | 978-0-500-18123-2 | F.J.Sanchez Canton | Prado (World of Art S.) |
1972 | 978-0-500-18132-4 | Jonathan Benthall | Science and Technology in Art Today (World of Art S.) |
1974 | 978-0-500-18142-3 | Jacques Lassaigne | El Greco (World of Art S.) |
1974 | 978-0-500-18144-7 | John Boardman | Athenian Black Figure Vases (World of Art) |
1976 | 978-0-500-18145-4 | Graham Hutton · Olive Cook · Edwin Smith | English Parish Churches (World of Art S.) |
1975 | 978-0-500-18149-2 | John Boardman | Athenian Red Figure Vases: the Archaic Period (World of Art) |
1977 | 978-0-500-18158-4 | Alastair Service | Edwardian Architecture: Handbook to Building Design in Britain, 1890-1914 (World of Art S.) |
'' | 978-0-500-18159-1 | Walter S. Gibson | Bruegel (World of Art S.) |
1978 | 978-0-500-18163-8 | Roger Dixon · Stefan Muthesius | Victorian Architecture (World of Art S.) |
'' | 978-0-500-18166-9 | John Boardman | Greek Sculpture: Archaic Period (World of Art S.) |
'' | 978-0-500-18167-6 | Paul Griffiths | A Concise History of Modern Music from Debussy to Boulez (World of Art S.) |
1980 | 978-0-500-18178-2 | Mary Tregear | Chinese Art (World of Art S.) |
'' | 978-0-500-18179-9 | Christian F. Feest | Native Arts of North America (World of Art S.) |
1980 | 978-0-500-18181-2 | John Heskett | Industrial Design (World of Art) |
1963 | 978-0-500-20004-9 | David Talbot Rice | Art of the Byzantine Era (World of Art) |
'' | 978-0-500-20005-6 | T.Talbot Rice | Concise History of Russian Art (World of Art S.) |
1985 | 978-0-500-20008-7 | Peter Murray · Linda Murray | The Art of the Renaissance (World of Art) |
1964 | 978-0-500-20014-8 | Herbert Read | Modern Sculpture: A Concise History (World of Art) |
'' | 978-0-500-20016-2 | William Gaunt | Concise History of English Painting (World of Art S.) |
1998 | 978-0-500-20018-6 | Germain Bazin | Baroque and Rococo (World of Art) |
1985 | 978-0-500-20019-3 | John Beckwith | Early Medieval Art: Carolingian, Ottonian, Romanesque (World of Art) |
1964 | 978-0-500-20021-6 | Mortimer Wheeler | Roman Art and Architecture (World of Art) |
'' | 978-0-500-20024-7 | Michael Levey | From Giotto to Cezanne: A Concise History of Painting: From Giotto to Cezanne (World of Art) |
1986 | 978-0-500-20032-2 | John Russell | Seurat (World of Art S.) |
1965 | 978-0-500-20033-9 | G.H.S. Bushnell | Ancient Arts of the Americas (World of Art S.) |
'' | 978-0-500-20035-3 | Herbert Read | Henry Moore (World of Art) |
1978 | 978-0-500-20039-1 | Hans Richter · David Britt | Dada: Art and Anti-Art (World of Art) |
1978 | 978-0-500-20040-7 | Patrick Waldberg | Surrealism (World of Art) |
1966 | 978-0-500-20046-9 | T.G.E. Powell | Prehistoric Art (World of Art S.) |
'' | 978-0-500-20050-6 | Michael Levey | Rococo to Revolution: Major Trends in Eighteenth-Century Painting (World of Art) |
1967 | 978-0-500-20052-0 | Lucy R. Lippard | Pop Art (World of Art) |
'' | 978-0-500-20056-8 | Phoebe Pool | Impressionism (World of Art S.) |
'' | 978-0-500-20057-5 | Reynold A. Higgins | Minoan and Mycenaean Art (World of Art S.) |
'' | 978-0-500-20058-2 | Andrew Martindale | Gothic Art (The World of Art Library) |
1967 | 978-0-500-20060-5 | Philip Rawson | The Art of Southeast Asia: Cambodia, Vietnam, Thailand, Laos, Burma, Java, Bali (World of Art) |
1980 | 978-0-500-20061-2 | Bernard Champigneulle · J. Maxwell Brownjohn | Rodin (World of Art) |
1967 | 978-0-500-20062-9 | Alec Clifton-Taylor | The Cathedrals of England (World of Art) |
1968 | 978-0-500-20072-8 | Nikolaus Pevsner | The Sources of Modern Architecture and Design (World of Art) |
1969 | 978-0-500-20083-4 | Graham Reynolds | Turner (World of Art) |
'' | 978-0-500-20092-6 | Pierre Cabanne | Van Gogh (World of Art S.) |
'' | 978-0-500-20094-0 | Peter Murray | The Architecture of the Italian Renaissance (World of Art) |
1987 | 978-0-500-20096-4 | Kerry Downes | Hawksmoor (World of Art) |
1985 | 978-0-500-20097-1 | Sarane Alexandian | Surrealist Art (World of Art) |
'' | 978-0-500-20099-5 | Roland Penrose | Joan Miro (World of Art S.) |
1970 | 978-0-500-20101-5 | John Steer | Venetian Painting: A Concise History (World of Art) |
'' | 978-0-500-20102-2 | Timothy Hilton | The Pre-Raphaelites (World of Art) |
1970 | 978-0-500-20103-9 | Frank Willett | African Art (World of Art S.) |
'' | 978-0-500-20107-7 | Kathleen Raine | William Blake (World of Art Library) |
1971 | 978-0-500-20109-1 | Graham Reynolds | Concise History of Watercolours (World of Art S.) |
1985 | 978-0-500-20112-1 | Margaret Whinney | Wren (World of Art) |
1971 | 978-0-500-20117-6 | F.J.Sanchez Canton | Prado |
1972 | 978-0-500-20118-3 | John Barnicoat | Posters: A Concise History (World of Art) |
'' | 978-0-500-20121-3 | Edward Lucie-Smith | Eroticism in Western Art (World of Art S.) |
'' | 978-0-500-20122-0 | J. P. Hodin | Edvard Munch (World of Art) |
'' | 978-0-500-20123-7 | Wolf-Dieter Dube | Expressionists (Woa) (World of Art) |
1972 | 978-0-500-20124-4 | Leslie Orrey | Concise History of Opera (World of Art S.) |
'' | 978-0-500-20125-1 | Edward Lucie-Smith | Symbolist Art (World of Art) |
1973 | 978-0-500-20134-3 | Walter S. Gibson | Hieronymus Bosch (World of Art) |
1974 | 978-0-500-20137-4 | Adrian Henri | Environments and Happenings (World of Art S.) |
'' | 978-0-500-20138-1 | John Boardman | Athenian Black Figure Vases (World of Art) |
1976 | 978-0-500-20139-8 | Edwin Smith · Olive Cook | English Parish Churches |
1975 | 978-0-500-20141-1 | Herbert Read | A Concise History of Modern Painting (World of Art) |
'' | 978-0-500-20143-5 | John Boardman | Athenian Red Figure Vases: the Archaic Period (World of Art) |
1976 | 978-0-500-20144-2 | Timothy Hilton | Picasso (World of Art) |
1977 | 978-0-500-20148-0 | Bruce Arnold | A Concise History of Irish Art (World of Art) |
1985 | 978-0-500-20154-1 | Bob Haak | Rembrandt Drawings (World of Art S.) |
1977 | 978-0-500-20156-5 | Walter S. Gibson | Bruegel (World of Art S.) |
1978 | 978-0-500-20159-6 | Caroline Tisdall · Angelo Bozzolla | Futurism (World of Art) |
'' | 978-0-500-20160-2 | Roger Dixon · Stefan Muthesius | Victorian Architecture (World of Art) |
1978 | 978-0-500-20162-6 | Linda Murray | The High Renaissance and Mannerism: Italy, the North and Spain 1500-1600 (World of Art) |
'' | 978-0-500-20163-3 | John Boardman | Greek Sculpture: The Archaic Period (World of Art) |
'' | 978-0-500-20164-0 | Paul Griffiths | A Concise History of Modern Music from Debussy to Boulez (World of Art S.) |
'' | 978-0-500-20166-4 | Philip Rawson | The Art of Tantra (World of Art) |
'' | 978-0-500-20167-1 | R.H. Fuchs | Dutch Painting (Woa) (World of Art) |
1979 | 978-0-500-20169-5 | John Russell | Francis Bacon (World of Art S.) |
1979 | 978-0-500-20170-1 | Lawrence Gowing | Matisse (World of Art) |
'' | 978-0-500-20171-8 | David Watkin | English Architecture: A Concise History (World of Art S.) |
'' | 978-0-500-20172-5 | Edward Lucie-Smith | Furniture: A Concise History (World of Art) |
1980 | 978-0-500-20176-3 | Carol Mann | Modigliani (World of Art S.) |
'' | 978-0-500-20177-0 | John Summerson | The Classical Language of Architecture (World of Art) |
'' | 978-0-500-20178-7 | Mary Tregear | Chinese Art (World of Art S.) |
1980 | 978-0-500-20180-0 | Cyril Aldred | Egyptian Art: In the Days of the Pharaohs 3100-320 BC (World of Art) |
'' | 978-0-500-20181-7 | John Heskett | Industrial Design (World of Art) |
1981 | 978-0-500-20182-4 | David Bindman | Hogarth (World of Art) |
'' | 978-0-500-20183-1 | Frank Whitford | Egon Schiele (World of Art) |
'' | 978-0-500-20187-9 | Ian Jeffrey | Photography: A Concise History (World of Art) |
1983 | 978-0-500-20191-6 | J. R. Hale | The Thames & Hudson Dictionary of the Italian Renaissance |
1984 | 978-0-500-20192-3 | Joan Stanley-Baker | Japanese Art (World of Art S.) |
'' | 978-0-500-20193-0 | Frank Whitford | Bauhaus (World of Art) |
1985 | 978-0-500-20194-7 | John Boardman | Greek Art (World of Art S.) |
1984 | 978-0-500-20195-4 | Christopher White | Rembrandt (World of Art) |
1987 | 978-0-500-20198-5 | John Boardman | Greek Sculpture: The Classical Period (World of Art) |
1985 | 978-0-500-20199-2 | Suzi Gablik | Magritte (World of Art) |
1986 | 978-0-500-20202-9 | John Summerson | The Architecture of the Eighteenth Century (World of Art) |
1986 | 978-0-500-20203-6 | Mary Ellen Miller | The Art of Mesoamerica: From Olmec to Aztec (World of Art S.) |
1987 | 978-0-500-20204-3 | Frances Spalding | British Art Since 1900 (World of Art) |
1986 | 978-0-500-20205-0 | Alan Bowness | Modern European Art (World of Art) |
'' | 978-0-500-20207-4 | Camilla Gray · Marian Burleigh-Motley | The Russian Experiment in Art 1863-1922 (World of Art) |
'' | 978-0-500-20208-1 | Dawn Ades | Photomontage (World of Art S.) |
1987 | 978-0-500-20209-8 | Bernard Denvir | The Impressionists at First Hand (World of Art S.) |
1989 | 978-0-500-20210-4 | Julian Rushton | Classical Music: A Concise History - From Gluck to Beethoven (World of Art S.) |
1987 | 978-0-500-20211-1 | Michael Rosenthal | Constable (World of Art) |
1988 | 978-0-500-20214-2 | RoseLee Goldberg | Performance Art: From Futurism to the Present (World of Art S.) |
1990 | 978-0-500-20215-9 | Arnold Whittall | Romantic Music: A Concise History from Schubert to Sibelius (World of Art) |
1987 | 978-0-500-20217-3 | Leslie Orrey · Rodney Milnes | Opera: A Concise History (World of Art) |
'' | 978-0-500-20218-0 | A. M. Hammacher | Barbara Hepworth (World of Art) |
'' | 978-0-500-20220-3 | Belinda Thomson | Gauguin (World of Art) |
1988 | 978-0-500-20222-7 | Edward Lucie-Smith | The Thames and Hudson Dictionary of Art Terms (World of Art) |
1988 | 978-0-500-20223-4 | Herbert Read | Dictionary of Art and Artists (World of Art S.) |
1991 | 978-0-500-20225-8 | A.D. Trendall | Red Figure Vases of South Italy and Sicily: A Handbook (World of Art) |
'' | 978-0-500-20227-2 | Sarah Whitfield | Fauvism (World of Art) |
1988 | 978-0-500-20229-6 | Nigel Morgan | The Thames & Hudson Encyclopedia of British Art (World of Art) |
'' | 978-0-500-20230-2 | Alastair Duncan | Art Deco (World of Art) |
1989 | 978-0-500-20232-6 | Melissa McQuillan | Van Gogh (World of Art) |
1991 | 978-0-500-20236-4 | Thomas H. Carpenter | Art and Myth in Ancient Greece: A Handbook (World of Art) |
1990 | 978-0-500-20237-1 | Anna Moszynska | Abstract Art (World of Art) |
'' | 978-0-500-20239-5 | Bernard Denvir | Thames and Hudson Encyclopaedia of Impressionism (World of Art) |
1991 | 978-0-500-20240-1 | Paul Overy | De Stijl: Art, Architecture, Design (World of Art) |
1990 | 978-0-500-20241-8 | Whitney Chadwick | Women, Art and Society (World of Art S.) |
1991 | 978-0-500-20242-5 | Robert Tavernor | Palladio and Palladianism (World of Art) |
1990 | 978-0-500-20243-2 | David Anfam | Abstract Expressionism (World of Art) |
1989 | 978-0-500-20244-9 | John Boardman | Athenian Red Figure Vases: The Classical Period: A Handbook (World of Art) |
1990 | 978-0-500-20246-3 | Frank Whitford | Klimt (World of Art) |
'' | 978-0-500-20247-0 | Anne Massey | Interior Design of the 20th Century (World of Art) |
1991 | 978-0-500-20248-7 | Elizabeth Cumming · Wendy Kaplan | The Arts and Crafts Movement (World of Art) |
1991 | 978-0-500-20249-4 | R. R. R. Smith | Hellenistic Sculpture: A Handbook (World of Art) |
'' | 978-0-500-20250-0 | Bernard Denvir | Toulouse-Lautrec (World of Art) |
1992 | 978-0-500-20251-7 | World of Art | The National Gallery of Art, Washington (World of Art) |
1991 | 978-0-500-20252-4 | Edward Lucie-Smith | Sexuality in Western Art (World of Art) |
1992 | 978-0-500-20253-1 | Roberta J. M. Olson | Italian Renaissance Sculpture (World of Art) |
'' | 978-0-500-20255-5 | Bernard Denvir | Post-impressionism (World of Art S.) |
'' | 978-0-500-20256-2 | Lloyd Laing · Jennifer Laing | Art of the Celts: From 700 BC to the Celtic Revival (World of Art) |
'' | 978-0-500-20257-9 | Kenneth Frampton | Modern Architecture: A Critical Histo: A Critical History (World of Art) |
1992 | 978-0-500-20258-6 | Richard Verdi | Cezanne (World of Art S.) |
1993 | 978-0-500-20260-9 | Edward Lucie-Smith | Latin American Art of the 20th Century (World of Art S.) |
'' | 978-0-500-20261-6 | Peter Dormer | Design Since 1945 (World of Art) |
1992 | 978-0-500-20262-3 | Christian F. Feest | Native Arts of North America (World of Art S.) |
1993 | 978-0-500-20263-0 | Julian Treuherz | Victorian Painting (World of Art) |
'' | 978-0-500-20264-7 | Wally Caruana | Aboriginal Art (World of Art S.) |
'' | 978-0-500-20265-4 | Robert E. Fisher | Buddhist Art and Architecture (World of Art) |
1995 | 978-0-500-20266-1 | James Laver | Costume and Fashion: A Concise History (World of Art S.) |
1994 | 978-0-500-20267-8 | Frank Willett | African Art (World of Art) |
'' | 978-0-500-20268-5 | Nikos Stangos | Concepts of Modern Art: From Fauvism to Postmodernism (World of Art) |
1993 | 978-0-500-20269-2 | Guy Julier | The Thames and Hudson Encyclopaedia of 20th-century Design and Designers (World of Art S.) |
1994 | 978-0-500-20270-8 | Richard Hollis | Graphic Design: A Concise History (World of Art S.) |
1993 | 978-0-500-20271-5 | John Russell | Francis Bacon (World of Art) |
1994 | 978-0-500-20273-9 | Alastair Duncan | Art Nouveau (World of Art) |
1994 | 978-0-500-20274-6 | Herbert Read · Nikos Stangos | The Thames & Hudson Dictionary of Art and Artists (World of Art) |
'' | 978-0-500-20275-3 | William Vaughan | Romanticism and Art (World of Art) |
'' | 978-0-500-20276-0 | Colin Rhodes | Primitivism and Modern Art (World of Art) |
1995 | 978-0-500-20277-7 | David Parkinson | History of Film (World of Art S.) |
'' | 978-0-500-20281-4 | Nicholas Thomas | Oceanic Art (World of Art) |
'' | 978-0-500-20283-8 | Alan Crawford | Charles Rennie Mackintosh (World of Art) |
1995 | 978-0-500-20285-2 | John Boardman | Greek Sculpture: The Late Classical Period and Sculpture in Colonies and Overseas (World of Art) |
'' | 978-0-500-20286-9 | Rebecca Stone-Miller | Art of the Andes: From Chavin to Inca (World of Art S.) |
1996 | 978-0-500-20287-6 | Clare Phillips | Jewelry: From Antiquity to the Present (World of Art) |
'' | 978-0-500-20289-0 | Alan Krell | Manet: and the Painters of Contemporary Life (World of Art) |
'' | 978-0-500-20290-6 | Mary Ellen Miller | The Art of Mesoamerica: From Olmec to Aztec (World of Art S.) |
2016 | 978-0-500-20291-3 | Marco Livingstone | David Hockney (World of Art) |
1996 | 978-0-500-20292-0 | John Boardman | Greek Art (World of Art) |
1997 | 978-0-500-20293-7 | Whitney Chadwick | Women, Art and Society (World of Art S.) |
1996 | 978-0-500-20294-4 | Diane Ghirardo | Architecture after Modernism (World of Art) |
1997 | 978-0-500-20295-1 | Richard J. Powell | Black Art and Culture in the Twentieth Century (World of Art S.) |
'' | 978-0-500-20298-2 | Michael Archer | Art Since 1960 (World of Art S.) |
1997 | 978-0-500-20299-9 | Mary Tregear | Chinese Art (World of Art) |
'' | 978-0-500-20302-6 | Roy C. Craven | Indian Art: A Concise History (World of Art) |
'' | 978-0-500-20303-3 | Reynold Higgins | Minoan and Mycenaean Art (World of Art) |
'' | 978-0-500-20304-0 | Nigel Spivey | Etruscan Art (World of Art) |
1999 | 978-0-500-20305-7 | Robert Hillenbrand | Islamic Art and Architecture (World of Art) |