| year of publication | ISBN | author(s) | title |
|---|
| 2008 | 978-0-240-81063-8 | Brian and Janet Stoppee | Stoppees' Guide to Photography and Light: What Digital Photographers, Illustrators, and Creative Professionals Must Know |
| '' | 978-0-240-81064-5 | Michael Ingrassia | Maya for Games: Modeling and Texturing Techniques with Maya and Mudbox |
| '' | 978-0-240-81066-9 | Christopher Grey | Canon Digital Rebel XSi/450D (Focal Digital Camera Guides) |
| '' | 978-0-240-81067-6 | Seth Resnick · Jamie Spritzer | The Photoshop Lightroom Workbook: Workflow not Workslow in Lightroom 2 |
| '' | 978-0-240-81068-3 | Corey Hilz | Nikon D60 (Focal Digital Camera Guides) |
| 2009 | 978-0-240-81069-0 | David Miles Huber · Robert E. Runstein | Modern Recording Techniques (Audio Engineering Society Presents) |
| 2009 | 978-0-240-81070-6 | D. Cohen | Producing Games: From Business and Budgets to Creativity and Design |
| 2008 | 978-0-240-81071-3 | Rich Newman | Cinematic Game Secrets for Creative Directors and Producers: Inspired Techniques from Industry Legends |
| '' | 978-0-240-81074-4 | Aaron Marks | The Complete Guide to Game Audio: For Composers, Musicians, Sound Designers, Game Developers (Gama Network) |
| 2010 | 978-0-240-81075-1 | Harry Box | Set Lighting Technician's Handbook |
| 2008 | 978-0-240-81076-8 | Francis Glebas | Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation |
| '' | 978-0-240-81077-5 | Wolsky | Final Cut Express 4 Editing Workshop |
| '' | 978-0-240-81078-2 | Steve Hullfish · Jaime Fowler | Color Correction for Video: Using Desktop Tools to Perfect Your Image (DV Expert Series) |
| '' | 978-0-240-81079-9 | Roland Hess | Animating with Blender: Creating Short Animations from Start to Finish: How to Create Short Animations from Start to Finish |
| 2009 | 978-0-240-81080-5 | Sam Kauffmann | Avid Editing: A Guide for Beginning and Intermediate Users |
| 2008 | 978-0-240-81081-2 | Greg Staten · Steve Bayes | The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems |
| 2009 | 978-0-240-81082-9 | Gorham Kindem · Robert B. Musburger | Introduction to Media Production: The Path to Digital Media Production |
| 2008 | 978-0-240-81084-3 | Wes Simpson | Video Over IP: IPTV, Internet Video, H.264, P2P, Web TV, and Streaming: A Complete Guide to Understanding the Technology (Focal Press Media Technology Professional) |
| 2008 | 978-0-240-81087-4 | Cathrine Kellison | Producing for TV and New Media: A Real-World Approach for Producers |
| 2009 | 978-0-240-81088-1 | Barry Braverman | Video Shooter: Storytelling with HD Cameras |
| '' | 978-0-240-81089-8 | Michael Rabiger | Directing the Documentary |
| 2010 | 978-0-240-81090-4 | Larry Volk · Danielle Currier | No Plastic Sleeves: The Complete Portfolio Guide for Photographers and Designers |
| 2008 | 978-0-240-81092-8 | Todd Daniele | Poly-Modeling with 3ds Max: Thinking Outside of the Box |
| 2009 | 978-0-240-81093-5 | John and Barbara Gerlach | Digital Landscape Photography |
| '' | 978-0-240-81095-9 | Patricia Russotti | Digital Photography Best Practices and Workflow Handbook: A Guide to Staying Ahead of the Workflow Curve |
| '' | 978-0-240-81096-6 | Walt Stanchfield | Drawn to Life: 20 Golden Years of Disney Master Classes: The Walt Stanchfield Lectures - Volume 1 |
| '' | 978-0-240-81097-3 | Patrick Sheffield | How to Cheat in Motion |
| 2009 | 978-0-240-81098-0 | David Reese · Lynne Gross · Brian Gross | Audio Production Worktext: Concepts, Techniques, and Equipment |
| '' | 978-0-240-81107-9 | Walt Stanchfield | Drawn to Life: 20 Golden Years of Disney Master Classes: The Walt Stanchfield Lectures - Volume 2 |
| '' | 978-0-240-81108-6 | Brad Herring | Sound, Lighting and Video: A Resource for Worship |
| 2008 | 978-0-240-81109-3 | Steve Caplin | Art and Design in Photoshop: How to simulate just about anything from great works of art to urban graffiti |
| '' | 978-0-240-81110-9 | Shawn Barnett | Sony A200 (Focal Digital Camera Guides) |
| 2009 | 978-0-240-81112-3 | Fred Hopengarten | Antenna Zoning: Broadcast, Cellular & Mobile Radio, Wireless Internet- Laws, Permits & Leases: Cellular, TV, Radio, and Wireless Internet |
| '' | 978-0-240-81114-7 | Susan Ruddick Bloom | Digital Painting in Photoshop |
| 2009 | 978-0-240-81115-4 | Robert J. Shimonski · Chris Basile | Pro Tools 8 Kit: The complete professional workflow for music production |
| '' | 978-0-240-81117-8 | Jean Benz · Jane E. Mago · Jerianne Timmerman | NAB Legal Guide to Broadcast Law and Regulation |
| '' | 978-0-240-81118-5 | Martin Evening · Jeff Schewe | Adobe Photoshop CS4 for Photographers: The Ultimate Workshop |
| 2008 | 978-0-240-81121-5 | Ivan Kaminow · Tingye Li · Alan E. Willner | Optical Fiber Telecommunications V A & B SET: 5 |
| 2009 | 978-0-240-81124-6 | James | Fix It In Post: Solutions for Postproduction Problems |
| '' | 978-0-240-81125-3 | Vanessa Theme Ament | The Foley Grail: The Art of Performing Sound for Film, Games, and Animation |
| '' | 978-0-240-81127-7 | Lorne Bregitzer | Secrets of Recording: Professional Tips, Tools and Techniques (Mastering Music) |
| 2010 | 978-0-240-81128-4 | Nicolae Lobontiu | System Dynamics for Engineering Students: Concepts and Applications |
| 2008 | 978-0-240-81132-1 | Russ Hepworth-Sawyer | From Demo to Delivery |
| 2009 | 978-0-240-81133-8 | Richard Chernock | DTV Monitoring and Troubleshooting |
| 2009 | 978-0-240-81134-5 | Ben Harris | Home Studio Setup: Everything You Need to Know from Equipment to Acoustics (The Mastering Music Series) |
| '' | 978-0-240-81135-2 | Byrne | The Visual Effects Arsenal: VFX Solutions for the Independent Filmmaker |
| '' | 978-0-240-81136-9 | Chris and Trish Meyer | After Effects Apprentice |
| '' | 978-0-240-81137-6 | Bernard Mendiburu | 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen |
| '' | 978-0-240-81138-3 | Tim Daly | Printing with Adobe Photoshop CS4 |
| 2009 | 978-0-240-81141-3 | Steven Louis Shelley | A Practical Guide to Stage Lighting |
| 2008 | 978-0-240-81142-0 | Richard Earney | Inside Lightroom 2: The serious photographer's guide to Lightroom efficiency |
| '' | 978-0-240-81143-7 | Shawn Barnett | Sony A300/A350: Focal Digital Camera guides |
| '' | 978-0-240-81144-4 | Bruce Bartlett · Jenny Bartlett | Practical Recording Techniques: The Step- by- Step Approach to Professional Audio Recording |
| 2009 | 978-0-240-81145-1 | Chad Perkins | The After Effects Illusionist: All the Effects in One Complete Guide |
| '' | 978-0-240-81146-8 | Bill Loguidice · Matt Barton | Vintage Games: An Insider Look at the History of Grand Theft Auto, Super Mario, and the Most Influential Games of All Time |
| 2008 | 978-0-240-81147-5 | Andrew Gahan | Game Art Complete: All-in-One: Learn Maya, 3ds Max, ZBrush, and Photoshop Winning Techniques: All-in-one: Learn Maya, 3ds Max, ZBrush, and Photoshop Winning TTechniques |
| 2009 | 978-0-240-81148-2 | Luke Ahearn | 3D Game Textures: Create Professional Game Art Using Photoshop |
| 2010 | 978-0-240-81150-5 | Eve Light Honthaner | The Complete Film Production Handbook |
| 2011 | 978-0-240-81158-1 | Mick Hurbis-Cherrier | Voice & Vision: A Creative Approach to Narrative Film and DV Production |
| 2009 | 978-0-240-81159-8 | Louis Benjamin | The Naked and the Lens: A Guide to Nude Photography |
| '' | 978-0-240-81161-1 | Michele Bousquet | How to Cheat in 3ds Max 2010: Get Spectacular Results Fast |
| 2009 | 978-0-240-81162-8 | Spencer Drate · Judith Salavetz | VFX Artistry: A Visual Tour of How the Studios Create Their Magic |
| '' | 978-0-240-81163-5 | Joseph Gilland | Elemental Magic, Volume I: The Art of Special Effects Animation: The Classical Art of Special Effects Animation |
| '' | 978-0-240-81165-9 | Jerry Holway · Laurie Hayball | The Steadicam® Operator's Handbook |
| 2010 | 978-0-240-81168-0 | Steven Biver | FACES: Photography and the Art of Portraiture |
| 2009 | 978-0-240-81169-7 | Michael Freeman · John Beardsworth | The Art of Printing Photos on Your Epson Printer |
| 2008 | 978-0-240-81170-3 | Christopher Grey | Canon EOS Digital Rebel XS/1000D: Focal Digital Camera Guides |
| 2009 | 978-0-240-81171-0 | Michael Freeman | Michael Freeman's Perfect Exposure: The Professional's Guide to Capturing Perfect Digital Photographs |
| 2010 | 978-0-240-81173-4 | Sam McGuire · David Liban | The Video Editor's Guide to Soundtrack Pro: Workflows, Tools, and Techniques |
| '' | 978-0-240-81174-1 | Peter W. Rea · David K. Irving | Producing and Directing the Short Film and Video |
| '' | 978-0-240-81175-8 | Susan Ruddick Bloom | Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art |
| 2010 | 978-0-240-81176-5 | Mitch Jacobson | Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables: The Ultimate Resource For Multi-Camera Projects From Pre-Production To Deliverable Masters |
| 2009 | 978-0-240-81178-9 | Christopher Griffith | Real-World Flash Game Development: How to Follow Best Practices AND Keep Your Sanity |
| '' | 978-0-240-81179-6 | Nick Iuppa | End-to-End Game Development: Creating Independent Serious Games and Simulations from Start to Finish |
| 2010 | 978-0-240-81181-9 | Angie Taylor | Design Essentials for the Motion Media Artist: A Practical Guide to Principles & Techniques |
| '' | 978-0-240-81183-3 | Frank Barnas | Broadcast News Writing, Reporting, and Producing |
| '' | 978-0-240-81184-0 | Tan Huaixiang | Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers |
| 2009 | 978-0-240-81186-4 | Michael C Keith | The Radio Station: Broadcast, Satellite and Internet |
| 2010 | 978-0-240-81188-8 | Eric Luhta | How to Cheat in Maya 2010: Tools and Techniques for the Maya Animator |
| 2009 | 978-0-240-81189-5 | Corey Hilz | Nikon D90: Focal Digital Camera Guides |
| 2010 | 978-0-240-81190-1 | Derek Lea | Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush |
| 2009 | 978-0-240-81193-2 | Autodesk | Learning Autodesk 3ds Max Design 2010: Essentials: The Official Autodesk 3ds Max Training Guide: The Official Autodesk 3ds Max Reference |
| '' | 978-0-240-81194-9 | Autodesk | Learning Autodesk 3ds Max 2010 Foundation for Games |
| 2009 | 978-0-240-81195-6 | Arndt von Koenigsmarck | CINEMA 4D 11 Workshop |
| '' | 978-0-240-81199-4 | Wes McDermott | Real World modo: The Authorized Guide: In the Trenches with modo |
| '' | 978-0-240-81200-7 | Jeff Ulin | The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World (American Film Market Presents) |
| '' | 978-0-240-81201-4 | Corey Hilz | Nikon D90: pocket guide: Focal Digital Camera Guides |
| 2010 | 978-0-240-81203-8 | Mike de la Flor | Digital Sculpting with Mudbox: Essential Tools and Techniques for Artists |
| '' | 978-0-240-81204-5 | John Ramsey Holloway · John Holloway | Illustrated Theatre Production Guide |
| 2010 | 978-0-240-81205-2 | Tina O'Hailey | Hybrid Animation: Integrating 2D and 3D Assets |
| '' | 978-0-240-81206-9 | Danny Draven | The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
| 2009 | 978-0-240-81207-6 | Lou Jones · Bob Keenan · Steve Ostrowski | Speedlights & Speedlites: Creative Flash Photography at the Speed of Light |
| 2010 | 978-0-240-81208-3 | Ctein | Digital Restoration from Start to Finish: How to repair old and damaged photographs |
| 2011 | 978-0-240-81209-0 | Blain Brown | Cinematography: Theory and Practice: Image Making for Cinematographers and Directors |
| 2010 | 978-0-240-81210-6 | Russell Evans | Stand-Out Shorts: Shooting and Sharing Your Films Online |
| '' | 978-0-240-81211-3 | James Alburger | The Art of Voice Acting: The Craft and Business of Performing Voiceover |
| 2009 | 978-0-240-81212-0 | Adrian Davies | Close-Up and Macro Photography (The Focus On Series) |
| 2010 | 978-0-240-81213-7 | Ben Waggoner | Compression for Great Video and Audio: Master Tips and Common Sense (DV Expert Series) |
| 2009 | 978-0-240-81214-4 | Claudia H Johnson | Crafting Short Screenplays That Connect |
| '' | 978-0-240-81215-1 | Andrew Darlow | Pet Photography 101: Tips for taking better photos of your dog or cat |
| 2010 | 978-0-240-81217-5 | Gustavo Mercado | The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition |
| 2012 | 978-0-240-81218-2 | Chris Webster | Action Analysis for Animators |
| 2010 | 978-0-240-81219-9 | Mark Sawicki | Animating with Stop Motion Pro |
| '' | 978-0-240-81220-5 | Corey Hilz | Focus On Adobe Photoshop: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
| 2014 | 978-0-240-81221-2 | Damien Lovegrove | The Complete Guide to Creating A Profitable Wedding Photography Business: Managing Workflow, Business Planning and Technique |
| 2010 | 978-0-240-81222-9 | Richard Cadena | Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment |
| 2009 | 978-0-240-81223-6 | Larry Jordan | Adobe CS Production Premium for Final Cut Studio Editors |
| 2010 | 978-0-240-81224-3 | Troy Halsey | Freelancer's Guide to Corporate Event Design: From Technology Fundamentals to Scenic and Environmental Design |
| 2011 | 978-0-240-81225-0 | Fil Hunter · Steven Biver · Paul Fuqua | Light Science and Magic: An Introduction to Photographic Lighting |
| 2009 | 978-0-240-81226-7 | Chopine | Vue 7: From the Ground Up: The Official Guide |
| 2010 | 978-0-240-81227-4 | John Jackman | Lighting for Digital Video and Television |
| 2009 | 978-0-240-81228-1 | Robinson | Ableton Live 8 and Suite 8: Create, Produce, Perform |
| 2009 | 978-0-240-81229-8 | Roger Cusson | Realistic Architectural Visualization with 3ds Max and mental ray (Autodesk Media and Entertainment Techniques) |
| 2010 | 978-0-240-81230-4 | Erica Hornung | The Art and Technique of Matchmoving: Solutions for the VFX Artist |
| '' | 978-0-240-81235-9 | Anthony Friedmann | Writing for Visual Media |
| 2009 | 978-0-240-81237-3 | Joep van der Steen · Ted Boardman | Rendering with mental ray and 3ds Max (Autodesk Media and Entertainment Techniques) |
| '' | 978-0-240-81238-0 | Amy Macy · Tom Hutchison · Paul Allen | Record Label Marketing |
| 2012 | 978-0-240-81239-7 | Derek Hayes · Chris Webster | Acting and Performance for Animation |
| 2011 | 978-0-240-81240-3 | David Lewis Yewdall | Practical Art of Motion Picture Sound |
| 2010 | 978-0-240-81241-0 | Sheila Curran Bernard | Documentary Storytelling: Creative Nonfiction on Screen |
| '' | 978-0-240-81242-7 | Susan Zwerman · Jeffrey A. Okun | The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures |
| '' | 978-0-240-81243-4 | Michael Frye | Digital Landscape Photography: In the Footsteps of Ansel Adams and the Masters |
| 2009 | 978-0-240-81245-8 | Wes Simpson | Iptv and Internet Video: Expanding the Reach of Television Broadcasting (Nab Executive Technology Briefings) |
| 2011 | 978-0-240-81246-5 | Graham Jones | A Broadcast Engineering Tutorial for Non-Engineers |
| 2009 | 978-0-240-81248-9 | Michael Freeman | The Photographer's Eye Field Guide: The essential handbook for traveling with your digital SLR camera (The Field Guide Series) |
| 2009 | 978-0-240-81249-6 | David Nightingale | Practical HDR: A complete guide to creating High Dynamic Range images with your Digital SLR |
| '' | 978-0-240-81252-6 | Louise Levison | Filmmakers and Financing: Business Plan For Independents |
| '' | 978-0-240-81255-7 | Jeremy Sutton | Painter 11 Creativity: Digital Artist's Handbook |
| 2010 | 978-0-240-81256-4 | Norman J. Medoff · Barbara Kaye | Electronic Media: Then, Now, and Later |
| '' | 978-0-240-81258-8 | Lance Keimig | Night Photography: Finding your way in the dark |
| 2009 | 978-0-240-81259-5 | Harold Davis | The Photoshop Darkroom: Creative Digital Post-Processing |
| 2010 | 978-0-240-81261-8 | Chris Jackson | Flash Cinematic Techniques: Enhancing Animated Shorts and Interactive Storytelling: Animating and Building Interactive Stories |
| 2009 | 978-0-240-81263-2 | Susan Zwerman | The Visual Effects Producer: Understanding the Art and Business of VFX |
| 2010 | 978-0-240-81264-9 | Robert B. Musburger Phd | Single-Camera Video Production |
| 2009 | 978-0-240-81267-0 | Glen Ballou | Electroacoustic Devices: Microphones and Loudspeakers |
| '' | 978-0-240-81273-1 | Douglas Self | Audio Engineering Explained |
| 2011 | 978-0-240-81275-5 | Michelle Bogre | Photography as Activism: Images for Social Change |
| 2010 | 978-0-240-81277-9 | Tom Wolsky | Final Cut Express X Editing Workshop |
| 2010 | 978-0-240-81281-6 | Kim Golombisky · Rebecca Hagen | White Space is Not Your Enemy: A Beginner's Guide to Communicating Visually through Graphic, Web and Multimedia Design |
| 2011 | 978-0-240-81290-8 | Susan Crabtree | Scenic Art for the Theatre |
| 2009 | 978-0-240-81291-5 | Michael G. Uva | The Grip Book |
| 2010 | 978-0-240-81293-9 | Ivan Cury | Directing and Producing for Television |
| '' | 978-0-240-81295-3 | Jason Corey | Audio Production and Critical Listening: Technical Ear Training (Audio Engineering Society Presents) |
| 2009 | 978-0-240-81300-4 | David Clark | Photography in 100 Words: Exploring the Art of Photography with Fifty of its Greatest Masters |
| 2010 | 978-0-240-81302-8 | Keith Kelsen | Unleashing the Power of Digital Signage |
| '' | 978-0-240-81305-9 | Douglas Spotted Eagle | Vegas Pro 9 Editing Workshop |
| 2011 | 978-0-240-81307-3 | Tony White | Tony White's Animator's Notebook: Personal Observations on the Principles of Movement |
| 2010 | 978-0-240-81309-7 | Steve Wright | Digital Compositing for Film and Video |
| 2011 | 978-0-240-81318-9 | Thomas A. Crowell Esq. | The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers |
| 2010 | 978-0-240-81320-2 | Martha Ruskai · Allison Lowery | Wig Making and Styling: A Complete Guide for Theatre & Film |
| 978-0-240-81321-9 | Wig Making and Styling: A Complete Guide for Theatre & Film |
| 2010 | 978-0-240-81328-8 | Matthew David | HTML5: Designing Rich Internet Applications (Visualizing the Web) |
| '' | 978-0-240-81330-1 | Tomlinson Holman | Sound for Film and Television |
| 2011 | 978-0-240-81335-6 | Robert Hirsch | Exploring Color Photography Fifth Edition: From Film to Pixels |
| 2010 | 978-0-240-81337-0 | Dan Selakovich | Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More! |
| 2011 | 978-0-240-81341-7 | Stuart Sweetow | Corporate Video Production: Beyond the Board Room (And OUT of the Bored Room) |
| 2010 | 978-0-240-81345-5 | Jason Fincanon | Flash Advertising: Flash Platform Development of Microsites, Advergames and Branded Applications |
| '' | 978-0-240-81347-9 | Shutter Sisters | Expressive Photography: The Shutter Sisters' Guide to Shooting from the Heart |
| 2010 | 978-0-240-81349-3 | Rafiq Elmansy | Photoshop 3D for Animators |
| '' | 978-0-240-81351-6 | Chris Jackson | Flash + After Effects: Add Broadcast Features to Your Flash Designs |
| '' | 978-0-240-81377-6 | Zorana Gee · Pete Falco | 3D in Photoshop: The Ultimate Guide for Creative Professionals |
| '' | 978-0-240-81383-7 | Matthew David | Rendering HTML5 Illustration (Visualizing the Web) |
| 2012 | 978-0-240-81394-3 | Vic Costello · Susan Youngblood · Norman E. Youngblood | Multimedia Foundations: Core Concepts for Digital Design |
| 2010 | 978-0-240-81397-4 | Ken Dancyger | The Technique of Film and Video Editing |
| '' | 978-0-240-81398-1 | Lori Coleman | Make the Cut |
| 2010 | 978-0-240-81400-1 | Kevin Meredith | Photo Op: 52 Weekly Ideas for Creative Image-Making |
| '' | 978-0-240-81402-5 | Corey Hilz | Lensbaby: Bending your perspective |
| '' | 978-0-240-81413-1 | Paul Gilreath | The Guide to MIDI Orchestration 4e |
| '' | 978-0-240-81415-5 | Chris Meyer · Trish Meyer | Creating Motion Graphics with After Effects: Essential and Advanced Techniques |
| 2011 | 978-0-240-81417-9 | Carrie Beene | Real Retouching: A Professional Step-by-Step Guide |
| 2010 | 978-0-240-81419-3 | Yael Braha | Creative Motion Graphic Titling for Film, Video, and the Web: Dynamic Motion Graphic Title Design |
| '' | 978-0-240-81421-6 | Michelle Bates | Plastic Cameras: Toying with Creativity |
| 2010 | 978-0-240-81425-4 | Steve Caplin | 100% Photoshop: Create stunning illustrations without using any photographs |
| '' | 978-0-240-81428-5 | Andrew Gahan | 3D Automotive Modeling: An Insider's Guide to 3D Car Modeling and Design for Games and Film |
| '' | 978-0-240-81430-8 | Roland Hess | Blender Foundations: The Essential Guide to Learning Blender 2.6 |
| '' | 978-0-240-81433-9 | Michele Bousquet | How to Cheat in 3ds Max 2011: Get Spectacular Results Fast |
| 2011 | 978-0-240-81435-3 | Mike Mattesi | Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) |
| 2012 | 978-0-240-81439-1 | Judy Kriger | Animated Realism: A Behind The Scenes Look at the Animated Documentary Genre |
| 2010 | 978-0-240-81441-4 | Ed Ghertner | Layout and Composition for Animation |
| 2011 | 978-0-240-81445-2 | David Asch | Focus On Photoshop Elements: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
| '' | 978-0-240-81450-6 | Kent McQuilkin | Cinema 4D: The Artist's Project Sourcebook |
| 2012 | 978-0-240-81452-0 | Marcus Weise | Mobile Video: Technology and Methods for Content Production |
| 2011 | 978-0-240-81458-2 | Simon Langford | The Remix Manual: The Art and Science of Dance Music Remixing with Logic |
| 2011 | 978-0-240-81461-2 | Bernard Mendiburu | 3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy |
| 2010 | 978-0-240-81463-6 | John J. Lee Jr. | The Producer's Business Handbook (American Film Market Presents) |
| 2012 | 978-0-240-81465-0 | Kenneth Kobre | Videojournalism: Multimedia Storytelling |
| 2011 | 978-0-240-81469-8 | Haje Jan Kamps | Focus On Photographing People: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
| '' | 978-0-240-81471-1 | Ami Chopine | 3D Art Essentials: The Fundamentals of 3D Modeling, Texturing, and Animation: The Fundamentals of 3D Modeling and Animation |
| '' | 978-0-240-81473-5 | Mark Sawicki | Filming the Fantastic: A Guide to Visual Effects Cinematography |
| 2010 | 978-0-240-81475-9 | August E. Grant · Jennifer H. Meadows | Communication Technology Update and Fundamentals |
| '' | 978-0-240-81477-3 | Markus Kuhlo | Architectural Rendering with 3ds Max and V-Ray: Photorealistic Visualization |
| 2011 | 978-0-240-81479-7 | Joseph Gilland | Elemental Magic, Volume II: The Technique of Special Effects Animation: 2 (Animation Masters Title) |
| 2010 | 978-0-240-81481-0 | Antony Ward · David Randall · Nevercenter | 3D Modeling in Silo: The Official Guide |
| '' | 978-0-240-81483-4 | Martin Evening · Jeff Schewe | Adobe Photoshop CS5 for Photographers: The Ultimate Workshop |
| 2011 | 978-0-240-81487-2 | Anthony Q. Artis | The Shut Up and Shoot Freelance Video Guide: A Down & Dirty DV Production |
| 2014 | 978-0-240-81489-6 | Cybulski Cybulski | Beyond Continuity: Script Supervision for the Modern Filmmaker |
| 2011 | 978-0-240-81493-3 | Jack Anderson | Shooting Movies Without Shooting Yourself in the Foot: Becoming a Cinematographer |
| 2011 | 978-0-240-81495-7 | Bryan Tillman | Creative Character Design |
| '' | 978-0-240-81501-5 | Paul Allen | Artist Management for the Music Business |
| '' | 978-0-240-81503-9 | Cesare Rocchi | Data Visualization with Flash Builder: Designing RIA and AIR Applications with Remote Data Sources (Visualizing the Web) |